Synopsis High School’s out and our East High Wildcats need summer jobs! Troy, Gabriella, Taylor and Chad all land work at an exclusive country club but it’s not going to be an easy ride as Ryan and Sharpay are vacationing there too and plan on having some fun of their own. As it turns out their family owns the club, so the scheming siblings make it their mission to stir things up for the friends. The action builds to the country club’s all important Midsummer Night’s Talent Show, but will the Wildcats be ready in time? Will Troy duet with Sharpay or Gabriella, will Ryan finally realise his sister’s true motives and will squabbles, double-crossing and a baseball tournament stand in the way of their performances and, ultimately, their friendships? Supported by The Co-operative food. Les Dennis does not appear in Birmingham.
The giant High School Musical juggernaut rolls on, with this staged sequel hitting the road with a cast led by GMTV competition winner Liam Doyle and former TV presenter Les Dennis (last seen on stage in Eurobeat).
This is the McDonald's of children's theatre, and the programme rather disturbingly features an advert for breast enlargement surgery, highlighting the franchise's appeal to everything big, bouncy and fake. That said, it doesn't sell its tween-age audience short, serving up a slickly choreographed evening that will doubtless keep fans happy until the next sequel.
The story is breathtakingly simple. Handholders Troy and Gabriella get summer jobs at a holiday camp owned by the father of Sharpay Evans, Gabriella's rival for Troy's (very mild) affections - so no prizes for guessing the source of conflict. The camp is overseen by depressed but kind-hearted Mr Fulton, the only adult in sight, and their fellow camp employees are made up of their high school buds, the 'Wildcats', who represent the forces of good with their fondness for sports and close-harmony singing.
This was my first encounter with the HSM machine. I'd heard the rumours, I'd seen the posters, but until being confronted with the full glossy spectacle I hadn't quite grasped just how incredibly saccharine it is. It makes Saved by the Bell look like The Wire. That said, it's well directed (by Jeff Calhoun), neatly designed (Kenneth Foy) and features a handful of strong performances, particularly from Lauren Hall as Sharpay, the only interesting character on offer.
The songs are bland as beige, with the toe-curlingly awful “You are the Music in Me” masquerading as the big hit. But however unimaginative the music may be, it's well performed by a talented ensemble and clearly went down a storm with the rows of screaming kids around me.
A final word must go to Les Dennis, who at one stage during the course of a rather featureless performance has to deliver a speech about the indignities adults must face in order to pay the bills. Enough said.
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