Synopsis How far would you go to get a table at the smartest restaurant in town? Sam, who works in the reservations department of Manhattan's four-star, multiple-winning, ridiculously trendy Upper East Side restaurant, knows exactly how far. A struggling actor, Sam sits in a grotty room in basement of the building, fielding literally hundreds of calls every day from the most demanding, obnoxious, snivelling and frankly crazy would-be restaurant goers all after the same thing. A table for dinner - table 19 if possible - tonight if possible!
NOTE: The following review dates from July 2004 and this production's original London dates at the Menier Chocolate Factory.
Restaurants have been the new theatre for a while now, with celebrity chefs as the equivalent of star directors conjuring up a performance not just on your plate but also amongst the kitchen and waiting staff who are the cast. The room itself like a stage set upon which the nightly drama is played out, in which the diners are the audience. The restaurant version of the front-of-house manager is the maitre d'; but where's the box office?
Just as most theatre bookings now take place via remote call centres, so your first point of call at a restaurant is probably the reservations phone line, hidden in some back office somewhere. And chances are that in either case you'll probably be speaking to someone very much like Sam, the struggling actor desperately waiting for the audition call back that will take him out of there, in Fully Committed, a virtuoso one-man show about the shadowy, unseen underworld of the person on potentially the lowest - but paradoxically most powerful - rung on the restaurant food chain.
It's Sam who stands between you and that sought-after 8pm reservation for Table 37 or 19 in a restaurant that specialises in "global fusion" cuisine, and where a meal may cost you between $100 and $200 a head. Even if you're Bunny VanderMeer and you're bringing Philip Johnson, "America's most important living architect" to dinner, you'll need to speak to Sam. And if the tables are already gone to other important guests - well, then you'll just have to insist on speaking to the chef himself, snapping at Sam: "You obviously don't have the authority to handle it yourself."
Meanwhile, Sam is also juggling the all-vegan dietary requirements of Naomi Campbell, who's bringing a party of 15 on Saturday, with her assistant Bryce, who's even got some ideas for softer lighting over the table. But then restaurant guide man Tim Zagat appears unannounced upstairs with his wife, there isn't a table for them, and all hell breaks loose..
As those characters suggest - just some of the 40+ real and fictional ones conjured so expertly here - this is a specifically New York milieu of celebrity (there are also name checks for the likes of Diane Sawyer, a morning TV show anchorwoman, and Bernard Gersten who runs Lincoln Center Theatre). But even if the world that Becky Mode's play reflects is a very tiny one indeed, it has a wider social reach as it cleverly demonstrates the hierarchies that exist even in a supposedly classless society.
And as played by actor Mark Setlock, who contributed to the characters created here based on his own experiences of being an actor working the phones of a New York restaurant and originated the role of Sam off-Broadway in 1999, there is such intensity, commitment and compassion to every one of his lightening sketches of each character that it takes the breath away.
Book now for Fully Committed. You don't want to have to beg, bribe or threaten the box office to be admitted when it's all sold out. And while you're at it, be sure to book a table for Danielle Tarento's terrific (and very reasonably priced) restaurant at the theatre, too.
It did not have me in stitches, but he is very good and thus deserves praise. - USER: Whatsonstage.com (195.153.80.130)
28 Sep 04
I took 4 friends to see this and we all loved it! Mark Setlock as amazing and incredibly talented. I'm going back with another friend before it ends. Plus the food is fabulous so go for it. - USER: Whatsonstage.com (62.189.76.250)
10 Sep 04
Its amazing and a great deal better than some of the old rubbish in town. Also the venue is terrific - check it out asap!!! - USER: Whatsonstage.com (195.92.67.78)
09 Sep 04
all i can say it thank god this amazing piece has extended and i can go see it again. it is brilliant. i would urge you all to get down to london bridge to the chocolate factory theatre and see mark setlock's amazing performance!
its a bit of a stones in his pockets tour de force one man show, about sam, the reservations clerk in a top ny restaurant and the people he has to deal with who are trying to make reservations
hugely funny and touching. setlock gives an award winning performance. the performance is 75 minutes, and it flies by. - USER: Whatsonstage.com (195.92.67.78)
09 Sep 04
Very funny, brilliantly put together. How does he remember it all with no other actors to cue him?! The technical people who ring the phones for him deserve great credit too. He gets much subtlety as well as comedy from the characters. The meal deal is excellent value and I'd recommend it to anyone. - USER: Whatsonstage.com (195.195.244.161)
07 Sep 04
One of the worst performances I have ever seen! Mildy amusing in places and may appeal to Jerry Springer type audiences but nothing to make you reccommend it to anybody. Venue is good though hence score of 2. - USER: Whatsonstage.com (192.223.158.62)
01 Sep 04
I have been twice, it just gets better and better! The food in the restaurant is pretty special too. - USER: Whatsonstage.com (212.158.246.173)
06 Aug 04
This is so much fun - I Don't remember ever laughing so much, I could hardly breathe! - USER: Whatsonstage.com (205.188.117.22)
15 Jul 04
Mark Setlock is a star! - USER: Whatsonstage.com (212.158.246.173)
13 Jul 04
Its a terrific piece of high energy theatre - with subtle characterisations I didn't think possible at such a pace. GO SEE THIS NOW! - USER: Whatsonstage.com (217.154.44.162)
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