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La Sonnambula

Royal Opera House, West End
From: Wednesday, 2nd November 2011
To: Friday, 18 November 2011

Our Review: starstarstarstar Your Reviews: starstarstar

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Synopsis

When a story of innocence, love and marriage is matched with the appeal of Italian bel canto singing, it is a recipe for success. Bellini’s La Sonnambula was an international hit of its time with music that encapsulates the thrill of the operatic voice at extremes – from the smoothly lyrical to the brilliantly virtuosic.
 
La Sonnambula returns to The Royal Opera for the first time since 2002 in a production that brings out a layer of pyschological richness that may surprise those who only know the stunning musical highlights.
 
In a beautiful alpine setting that evokes the world of Thomas Mann’s The Magic Mountain, it is not just Amina who has to prove her innocence after a compromising case of sleepwalking, but her fiancé Elvino too, who must prove himself worthy to marry her.
 
La Sonnambula is an opera for the very best of fine Italianate singing, and this revival is fortunate to have [Eglise Gutiérrez] and Celso Albelo – both acclaimed in this repertory – as Amina and Elvino, the couple about to be married. The entire Company and the Orchestra of the Royal Opera House are under the baton of Daniel Oren, internationally known for his interpretations of Italian opera, and the final ingredient of a bel canto treat.

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Our Review: starstarstarstar

2 November 2011

Marco Arturo Marelli’s 2002 production of La Sonnambula certainly merits its present revival. Set in a “hotel or sanatorium in the Swiss Alps”, its elegant nineteenth-century design is composed of stony surfaces and wrought metal fittings which provide a cold, pale sheen in accord with the ‘snow‘ outside its walls. It is a sterile, insular world where an idle society is forever prying into the affairs of the central romantic characters. The chorus realises this excellently, with a somewhat unsettling, enforced collective gaiety throughout.

While the production is largely convincing, it has certain arbitrary elements. For example, the only apparent signifier of a sanatorium is a chorus member in a wheelchair, and there is little indication of mental illness among the characters, unless we count Amina’s sleepwalking in the context of nineteenth century psychology. (But the premise of the plot is that nobody knows what sleepwalking ...

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Latest User Review

laguna608 - 5 November 2011: starstarstar

EL comentario del critico sobre albelo que la voz suena nasal y perdida de equilibrio me parece gratutita escuchamos y vimos distinta funcion Albelo eres un enorme tenor felicitaciones porque me encanto tu papel hermoso y bien cantado animo de una CANARIA que recide En Londres...

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Cast

Celso Albelo (Elvino)
Eglise Gutierrez (Amina)
Elena Xanthoudakis (Lisa)
Michele Pertusi (Count Rodolfo - Nov 2/5/7/10/12)
Christophoros Stamboglis (Count Rodolfo - Nov 16/18)
Jihoon Kim (Alessio)
Elizabeth Sikora (Teresa)

Creative

Vincenzo Bellini (Music)
Royal Opera House (Producer)
Marco Arturo Marelli (Director)
Daniel Oren (Conductor)


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