La Sonnambula
From: Wednesday, 2nd November 2011
To: Friday, 18 November 2011
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Synopsis
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Our Review: 



2 November 2011
Marco Arturo Marelli’s 2002 production of La Sonnambula certainly merits its present revival. Set in a “hotel or sanatorium in the Swiss Alps”, its elegant nineteenth-century design is composed of stony surfaces and wrought metal fittings which provide a cold, pale sheen in accord with the ‘snow‘ outside its walls. It is a sterile, insular world where an idle society is forever prying into the affairs of the central romantic characters. The chorus realises this excellently, with a somewhat unsettling, enforced collective gaiety throughout.
While the production is largely convincing, it has certain arbitrary elements. For example, the only apparent signifier of a sanatorium is a chorus member in a wheelchair, and there is little indication of mental illness among the characters, unless we count Amina’s sleepwalking in the context of nineteenth century psychology. (But the premise of the plot is that nobody knows what sleepwalking ...
Latest User Review
laguna608 - 5 November 2011: ![]()
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EL comentario del critico sobre albelo que la voz suena nasal y perdida de equilibrio me parece gratutita escuchamos y vimos distinta funcion Albelo eres un enorme tenor felicitaciones porque me encanto tu papel hermoso y bien cantado animo de una CANARIA que recide En Londres...
Cast
Celso Albelo (Elvino)
Eglise Gutierrez (Amina)
Elena Xanthoudakis (Lisa)
Michele Pertusi (Count Rodolfo - Nov 2/5/7/10/12)
Christophoros Stamboglis (Count Rodolfo - Nov 16/18)
Jihoon Kim (Alessio)
Elizabeth Sikora (Teresa)
Creative
Vincenzo Bellini (Music)
Royal Opera House (Producer)
Marco Arturo Marelli (Director)
Daniel Oren (Conductor)
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