Micro

Synopsis

Inspired by the iconic imagery of twentieth century rock musicians, Micro smashes the boundaries between rock, pop, punk and contemporary dance to create a 'physical concert'.

Our Review:

Sarah Frater - 13 April 2010

Every once in a while, a show comes along that both defies description and leaves you laughing. It’s a rare combination, but Micro manages it, not least because its four performers are French and have the sort of Gallic charm that makes it impossible to resist their hybrid antics.  

Micro is not dance, it’s not theatre, and it’s not music. Nor is it stand-up or circus. It has elements of all these, although, in truth, the group aren’t hugely skilled at any of them except as rock musicians, at which they have some ability. It’s the work of director Pierre Rigal who describes it in the programme as a ‘physical concert’, which translates as a mildly experimental rock gig with wacky performance elements.  

These include absurdist touches, such as when the gorgeously good-looking Gwenael Drapeau plays the keyboards back-to-front, or when the very foxy Melanie Chartreux lolls on top of a bass drum while he bangs the rest of the kit as well as her up...

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Latest User Review

Dom Brewer - 16 April 2010:

Saying the cast have "some ability" as rock musicians might be the critical understatement of the year so far. They are awesomely talented beyond the norm - all four play and sing every instrument on the stage beyond the abilities of most professional rock musicians, and they're fine comics and physical performers too. I adored this piece from start to finish - the musicianship is sublime, the comic timing superb. I thought it was utterly joyous and would heartily recommend it to anyone interested in music or physical theatre. Go see! ...

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