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Miss Fortune

Royal Opera House, West End
From: Monday, 12th March 2012
To: Wednesday, 28 March 2012

Our Review: star

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Synopsis

Judith Weir's contemporary retelling of a Sicilian folk take is about the trials of a young woman from a wealthy family who struggles to make her way in life after falling on hard times.

Our Review: star

Keith McDonnell - 12 March 2012

Oh. My. Stars. Let me start by saying that I have fond memories of attending a performance of Judith Weir’s opera, The Vanishing Bridegroom at The Royal Opera House back in 1990 (I think) when Scottish Opera came down for a week’s residence, and three years later admired the slightly dotty Blond Eckbert at ENO. We’ve had to wait almost twenty years for Weir’s latest full-scale opera, Miss Fortune which opened at last year’s Bregenz Festival to lukewarm notices, and last night it received its UK premiere at The Royal Opera, who co-commissioned the piece. It was an outstanding disaster.

It’s hard to know where to start, but as I sat slack-jawed at the sheer awfulness of the entire undertaking, served up in Chen Shi-Zheng’s arty, vacuous staging, I couldn’t help but think of all the operas crying out for a staging at this most prestigious of addresses, that continue to be neglected. Could no one have pulled ...

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Cast

Emma Bell (Tina)
Andrew Watts (Fate)
Jacques Imbrailo (Simon)
Anne Marie-Owens (Donna)
Noah Stewart (Hassan)
Alan Ewing (Lord Fortune)
Kathryn Harries (Lady Fortune)

Creative

Judith Weir (Music)
Royal Opera House (Producer)
Paul Daniel (Conductor)
Chen Shi-Zheng (Director)
Tom Pye (Design)
Han Feng (Costume)
Scott Zielinski (Lighting)
Leigh Sachwitz (video) (Design)
Ran Arthur Braun (movement) (Director)


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