Set during the depression of the 1920’s and 1930’s, there are some striking parallels with the economic situation we find ourselves in today and despite the presence of themes such as pregnancy out of wedlock which is not shocking in 2010, Love on the Dole serves as an excellent historical document of the difficulties faced by working class families during this particular period.  

As a production this is good rather than outstanding but boasts some fine features. They include - pleasing attention to detail in Ruari Murchison’s set, such as the steaming kettle and practical sink taps and the stage is nicely lit by Wayne Dowdeswell. Director David Thacker keeps the action slick and uses the small in the round stage to its full effect

Eight of the ten strong cast appeared in the Octagon’s recent Streetcar Named Desire but none manage to match that sheer quality of performance seen in that production. As an ensemble they never quite seem to establish a rhythm in which the action becomes believable. Clare Foster is infinitely watchable as dreamer Sally Hardcastle and she is ably matched by Kieran Hill as her sweetheart Larry Meath. Sam Lupton really comes into his own in act 3 and is excellent as young Harry Hardcastle. I felt that Barbara Peirson could have made more of Mrs Hardcastle, a woman whose family is falling apart.

As the run continues I think the cast will find their feet a little more, but even if they don’t Love on the Dole is still an easy and interesting night out at the theatre.

- Malcolm Wallace