Synopsis After more than fifty years on air, Britain's best-loved soap has a glorious heritage of unforgettable stories and iconic characters which have been handpicked and now carefully crafted into this brilliant musical event by award-winning musical writer, composer and lyricist, Trisha Ward. Tour dates have been re-arranged. New tour dates for Dublin, Belfast and Newcastle will be announced very soon.
I'm a huge Coronation Street fan, loved the touring stage show Corrie and like a good musical. So, Street of Dreams should have ticked all the boxes for a great night out. Unfortunately, though - too many cooks spoil the hotpot, so this ambitious musical ends up being a bit of a mess.
Trisha Ward and Damon Rochefort's book relies on nostalgia - which in itself is fine. But the concept is over the place - so essentially - narrator Paul O'Grady meets the Angel of the North aka, Julie Carp (Katy Cavanagh) who takes him on a tour of the Street of Dreams. Amazingly, the show pokes fun at Mamma Mia! for being lame and thin - this plot is barely there.
O'Grady is a fantastic live performer and to begin with - he is engaging and knows how to work an audience. But once in character, he often has to hang around during musical numbers - chipping in bits of dialogue. Soon, it starts to become irritating as it slows the (almost) narrative down. His scenes with Kavanagh are toe curlingly bad with incredibly dated humour and needs cutting.
Much has been made of the guest stars but blink and you miss many of them. Julie Goodyear has one number to sing and is on stage for about 4 minutes. Meanwhile Kevin Kennedy's Curly Watts has no other characters to play off so his "You Star Shines So Bright" barely registers. Kym Marsh as young Elsie Tanner - is very good but slightly miscast and her scenes are too rushed to linger in the memory.
William Roache's turn is via a cinema screen and Brian Capron's Richard Hillman returns from the grave but is lit in shadow throughout, so it could have been anyone. Luckily - Jodie Prenger is on hand to belt out the terrific "He's My Man" alongside the incredibly talented Rachael Wooding and the result is electric and very poignant. But, there are too few songs/scenes like this - to bring the Street to life. It feels like a concert with a tacked on narrative - much of it coming from recycled clips of the show - which only serves to remind you how great the soap is - in comparision.
What Street of Dreams lacks is the talent and humour of someone like Victoria Wood - who could do wonders with it. She would bring humour to the piece, pace and a new narrative - linking characters together. She would have also written witty songs for the iconic characters to sing. Instead we witness Sean Tully (an over the top - Andrew Derbyshire) singing the awful "Butterfly" and then - yep - you guessed it - he flies over the arena. The result is excrutiating, as the piece only exists because of the venue - it adds nothing but leads to embarrassed laughter from many audience members, on the night I attended.
With so many characters to choose from - some of the best - Deidre, Blanche, Carla, Sally and Roy & Hayley are missed. In their place are characters and story arcs which amount to very little - Martha Longhurst's death - for example, ends up like an ad for the show Benidorm. And Hilda Ogden's scene takes the cleaning lady out of the street for most of it, so again offers you her worst moments.
At about the 2.5 hour mark, Russell Watson makes a guest appearance singing "Ghosts - Take My Hand" and the number is so cheesy that you think are watching Eurovision, and not in a good way. I saw many audience members leave the arena at this point - even though Watson himself sang his heart out. The material though is weak and uninspired and there is very little story to hang a song onto. The tram crash is staged with flames coming out of the stage - like a Def Leopard gig from 1986 - all very earnest and a bit of a tram crash itself, if I'm honest.
Sadly, Street of Dreams is in the wrong venues - too vast and due to poor sight lines (a show loved by millions in their front rooms is in an arena - epic fail) fails to give you any sense of connection, the show itself is overlong, the songs in the main are unmemorable and despite the gallant efforts of many of the performers, including Prenger, Wooding and a brilliant ensemble - it's "boring, Ken!"
The best review i have seen so far, £60 each to sit their cringing. Lots of people walked out and I wish I had. Corrie the play that was on last year got it right and this got it so wrong on every level. The Sean Tully song was one of the worst pieces of theatre I have ever witnessed and the fact that the actor could sing if anything made it even more bizarre as your mind registered that this was supposed to be a serious musical moment. Julie Goodyear growled for four whole minutes, no I won't list all the dreadful moments it would be like watching it again and I could not take that. On a final note the Wednesday was the first night, but Thursday was then pushed at the star-studded premiere, if so, did I see the dress rehearsal? If so refund please. - Julie J
14 May 12
I would genuinely advise anyone not to waste their hard earned money on this appalling show. That`s three hours of my life I`ll never get back. Not a single redeeming feature. Four days later and my toes are still refusing to uncurl! - Kerry Congelton
13 May 12
This is truly an awful show. What a waste of good talent. I hope it will go in the bin where it belongs. I am a die hard Corrie fan and I was soo disappointed. It's truly the most dismal show that I have ever seen. And the person who didn't see anyone walk out must of been fast asleep. Along with myself and Michelle Collins it seemed like half the arena had walked out at the interval. - Fiona Oldham
13 May 12
I already owned the CD which the show was worked around, so I was excited to see it, and rightfully so, I thought it was a great piece. The stars for me were Jodie Prenger, Kym Marsh (both as Elsie Tanner), the girls and dancers featured in the Becky McDonald song, and the girl who played Rita Fairclough, their songs were great in my opinion. Yes it was kinda panto, and yes i could have done without the Sean Tulley scene, but if you want highbrow theatre, this isn't the show for u, if ur wanting a trip down Corrie Memory Lane, this is for you. 'I Know How It Feels', 'He's My Man' and 'If It's Too Late', if you can't be bothered to see it, just download those songs - Tom
12 May 12
Truly the worst show I have seen in years. It is so annoying to see the "celebrity" reviewers praising the show, it was terrible. - Andrew Nichols
12 May 12
Corrie on the telly is bad enough these days without the two recent Corrie theatrical outings, both as bad as each other in my humble opinion. I took my girlfriend and we both left long before the final curtain. And to think this was written by an actual Corrie writer (as was the previous Corrie show) and no doubt seen as a good idea by the folk in charge. No wonder the real Corrie has lost more than ten million loyal viewers in the last decade! It used to be a must see, character led, continuing drama, now with it`s ludicrous plots it`s got all the appeal of a tacky American soap opera. I hate to say it but the end is surely nigh for this once loved British institution. RIP Corrie. - Pat Maher.
11 May 12
Agree that the Sean Tully butterfly scene was excruciating, but the actor playing him has an exceptional singing voice. O'Grady and Katy Cavanagh had a good rapport, the audience loved the songs and there WAS a standing ovation at the end.....all in all a fun, camp night out, but in a barn of a venue- would be much better suited to a theatre - Hayley W
11 May 12
A massive fan and it having a special meaning following the death of Betty, I was very moved during many scenes
(courtesy of the overhead screen) I found the scenes with Paul O'grady and Katy Kavanagh awful. Both characters are superb but it just did not work. The Sean Tully factory scene was just plain excrutiating, the flying a farce. I was left disappointed and wondering how it could be improved.
However the Julie Goodyear sketch was memorable as was one of the two Elsies. The tram crash was brilliant with special effects and the brian Capron as Richard Hillman very menacing.
It was a shame that more original cast members were not present. To advertise Bill Roache being in the show was like saying Doris Speed had suddenly turned up on stage with the other sadly missed stars.
However I feel it was a good effort and expect it to be panned by critics, but for me a lot of the nostalgia was achieved by means of the very clever overhead screen. - Pedro
11 May 12
3rd rate acting, it should of been called the Paul O'Grady show. wont be recommending this rubbish to any one. the reveiw is spot on - stella C
11 May 12
Agree with the review 100%. We were disappointed after the brilliant Corrie! production at The Lowry in 2010. Someone like Victoria Wood would certainly have worked magic on the script and songs. A musical number about "Betty's Hotpot" or Deidre singing about "Tracy and her tapes" should have been in the show instead of that dreadful song about Sean sewing knickers and dreaming of being a butterfly. Completely wrong venue for a musical and not worth £65 a ticket. I felt like I was watching a bad pantomine during Paul O'Grady and Katy Cavanagh's on stage banter. - John R
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