Synopsis An ancient, cantankerous Fijian matriarch decides at 4 am one morning that her time is up and, in true Fijian tradition, orders her drunken grandson to organise a feast so that she can name her successor. As preparations ensue the rest of the family slowly arrive and there the tensions unfold...
Toa Fraser's play No.2 is very well travelled having visited Australia, Mexico and Edinburgh, where it received a Fringe First nomination, and it's now at the Kings Head. There you'll find yourself at no. 2 of a quiet street in Auckland where its 4am on the hottest day of the year and things are about to get hotter.
The action unfolds in a minimalist setting, a red armchair and yellow walls so freshly painted you can smell it. The seat is taken up by an old and haggard woman, Matriarch, Nanna Maria, who is making preparations for the big day ahead, the day she announces her successor. Enter her eldest grandson Erasmus, beer can in hand, tall and macho, his job is to round-up all the remaining grandchildren. Matronly Charlene is none too pleased to be woken at this ungodly hour, mindful of all the chores that lie ahead. Young pretty Hibiscus doesn't mind helping out a little, but is suspicious of English traveller Maria. Lady player Soul doesn't seem to mind, and little Moses thinks she dances 'really cool'.
Rather a large family for such a small theatre. But easily solvable if you make it a one-woman-show, and 22-year-old Madeleine Sami succeeds admirably in bringing the Fijian family to life in No.2. Sami won best actress in the New Zealand Theatre awards in 1999 for her performance in Toa Fraser's first play Bare.
The show, originally directed by Catherine Boniface, offers an affectionate and funny snapshot of New Zealand Fijian family life, and Sami deserves a medal for her feat- her accurate portrayal of such a rich kaleidoscope of characters is an absolute marvel.
Not a lot actually happens in No.2, writer Fraser uses the character of Nanna Maria, to indulge in an evening of drinking, quarrelling and the general drama of Fijian family life. Of Fijian origin himself, Fraser's work is becoming increasingly inspired by his Fijian-British heritage, he admits Nanna Maria is based on his own grandmother. 'Although this is our world' he says 'I can't help wondering if it's a world that might not exist for much longer'. Who becomes the successor of the honourable Nanna Maria? You'll have to go and see.
A wonderful evening's entertainment. You don't need to be a Kiwi to enjoy this play. Madeleine is obviously a very talented actress and gives life to each of the many characters (nine I think), she is a pretty good dancer too. - USER: Whatsonstage.com (12.39.71.50)
26 Feb 03
This show is astonishing, one actress playing a grandmother and all her grand children over one very hot day in New Zealand, from a gin drinking cigar smoking old granny to rugby playing gangster boys, whiney teenage girls and snotty kids, just watching each character come to life from this 22 year old actress is fantastic. It's very, very funny, and anyone who's ever been to a family gathering where everyone basically loves everyone else, but there's been a little too much alcohol drunk, will know exactly how this day is going to pan out and love every minute of it. - USER: Whatsonstage.com (213.208.109.26)
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