St Ann's Square Manchester Greater Manchester M2 7DH
Telephone
0161 833 9833
Station
Description
Closed by Manchester bombing 1996. Reopened Dec 1998 with a new 120 seat studio space added. Seats 750. Founding sponsor of The Studio - Selfridges and Co.
A highly entertaining, bitter-sweet comedy set in a busy, northern pub. Two actors take on fourteen roles between them during the course of a single evening. Life's pains and pleasures are portrayed through the varied characters who come and go - each sharing their world with the audience in a series of vivid cameos. The central roles of the landlord and landlady hold this slice of life together, their relationship enduring ups and downs to arrive at a final resolution.
It’s no mean feat embodying the characters of 14 different personalities within the space of one play. And yet one double act achieve it masterfully in the Royal Exchange’s latest production, Two.
Comedian Justin Moorhouse and actress Victoria Elliott work wonderfully as a team, successfully capturing the essence of a local pub, with it’s externally jovial landlord and landlady, and its many quirky regulars.
Throughout the course of the play, an audience are introduced to the likes of ‘The Other Woman’ – the mistress whose jealousy is taking over her world – Moth and Maudie – the couple with very contrasting ideas of what constitutes love – and the Old Man – a pensioner trapped in his own nostalgia. The two actors do an incredible job of switching from one role to the next, adapting their characterisations with ease and making each and every role as believable as the last. Elliot, in particular, is an absolute joy to watch.
In the play’s description, Two is described as ‘hilariously funny, savagely sad, wistful, surprising and magical’. For the most part, this is entirely true. Cartwright’s script successfully thrusts the audience into a whirlwind of emotion, making you laugh one second and allowing you to hear a pin drop the next.
However, for anybody familiar with the playwright’s work, there is not a significant ‘surprise’ factor. All the same Cartwright-esque conventions remain -direct address, powerful monologues, sharp and witty dialogue -and, as hoped for, each and every one captures the original script’s meaning that behind the façade of many people’s appearance, there is always a hidden hurt.
With plenty of laughs, some heartfelt moments and impressive costume changes, it is more than a happy hour that you are guaranteed after watching this fabulous show.
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