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The Remains of the Day

Union Theatre, Inner London
From: Wednesday, 1st September 2010
To: Saturday, 25 September 2010

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Synopsis

Darlington Hall lies dormant, its prior distinction a passing memory. In the twilight of his life, Stevens, long-standing and devoted butler to the late Lord Darlington struggles to meet the needs of its new owner. Convinced he requires more staff in order to remedy his professional woes, Stevens sets out to meet his one-time housekeeper and bring her back to Darlington Hall. But as his journey progresses, Stevens begins to question his former employer’s convictions and to wonder whether he has lost much more than simply a housekeeper. The Remains of the Day examines the nature of dignity and the intellectual and emotional servitude of blind devotion.

Latest User Review

Gareth James - 6 September 2010: starstarstar

People seem rather surprised that someone has turned this into a musical ¨C they even had a feature on Radio 4¡äs today show and the FT reviewed it. Well, why not? If you can make a successful 2-hour film from Kazuo Ishiguro¡¯s novel, you can make a successful 2-hour show (as Howard Goodall¡¯s Love Story has just proved). This isn¡¯t the finished article, but there¡¯s much to admire and enjoy. Alex Loveless is largely successful in conveying the repression of the relationship between the butler and the housekeeper and just as successful with the sociopolitical backdrop of the years leading up to the second world war. The goodallesque score works best when sung by the full chorus but less so in the lighter numbers ( ¡®The End of the Pier¡¯ is particularly incongruous ¨C you can almost hear the creators saying ¡®now it¡¯s time for a lighter number¡¯). The two leads ¨C Stephen Rashbrook and Lucy Bradshaw ¨C are both believable and moving, and they are supported by an excellent company of 12 other actors. I was shocked when I realised the off-stage band was only 4 strong, such is the sound they make in the tiny Union Theatre. Director Chris Loveless uses the space very effectively, helped by an excellent design from David Shields (the costumes are particularly good). This is a very promising first outing for this show. It needs a bit of work, but I¡¯ll be surprised if we don¡¯t see it again in the not-too-distant future....

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Cast

Christopher Bartlett (Reginald)
Adrian Beaumont (Sir David)
Hannah Bingham (Ensemble/Florence)
Lucy Bradshaw (Miss Kenton)
Marc Forde (Dupont)
Finola Glacken (Ensemble/Elizabeth)
Sophie Juge (Ensemble/Mrs Taylor)
Reuben Kaye (Mr Lewis/Mr Farraday)
Stephen Rashbrook (Stevens)
Dudley Rogers (Stevens Senior/Man on Pier)
Gemma Salter (Ensemble/Sarah)
Katia Sartina (Ensemble/Ruth)
Paul Tate (Dr Meredith/Mr Spencer)
Leejay Townsend (Ensemble/Policeman/Man)
Alan Vicary (Lord Darlington)
Rebecca Whitbread (Ensemble/Dorothy)

Creative

Alex Loveless (Music)
Alex Loveless (Book)
Alex Loveless (based on the novel 'The Remains of the Day' by Kazuo Ishiguro) (Lyrics)
Simon James Collier (in association with Fallen Angel Theatre and Ben David Productions) (Producer)
Chris Loveless (Director)
Omar F Okai (movement) (Director)
Rowland Lee (instrumental arrangements) (Music)
David Shields (Design)
Chris Lince (Lighting)
Matt Hall (Sound)
Christina Pomeroy (Costume)
David Shields (Costume)


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