The Far Pavilions
From: Thursday, 24th March 2005
To: Saturday, 17 September 2005
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Synopsis
The Far Pavilions spans the 25 years between the Sepoy Uprisings of 1857 and the Second Afghan War, telling the story of forbidden love between a British Officer 'Ashton Pelham-Martyn' and an Indian Princess 'Anjuli'. This epic story evokes the romance of India, the intrigue of the Rajput Court and the over-confidence of an Empire at the height of its power.
Our Review: 

15 April 2005
Just when shows like The Producers and Spamalot (on Broadway) have made it safe to go to musicals again simply to have a good time, along comes this lumbering great Asian white elephant of a musical that sets the genre back 20 years to the long shadows cast by Les Miserables.
There’s nothing new in that, of course. Les Mis has spawned any number of imitators on both sides of the Atlantic - from Jane Eyre and Jekyll and Hyde on Broadway to Tess over here - that earnestly fillet epic romantic novels, full of incident and character, and condenses them into big through-sung theatrical spectacles.
But then there’s nothing new in The Far Pavilions to justify the extravagantly staged effort or expense either, notwithstanding the passing orchestral and choreographic nod to its exotic north Indian setting that inevitably recalls another recent West End show, Bombay Dreams...
Latest User Review
193.37.180.1) - 19 September 2005: ![]()
Very very disappointing. The story is strong and should make for a wonderfully sweeping, passionate and diverse score - all it gets in a unimaginative monotony with few stand out moments. It starts quite positively, but never builds on it. The thing about through-composed shows is that they requirre 'big' numbers which are different from the music which is moving the show along. Unfortunatly The Far Pavilions rarely has these, and there is little in a dire second half to either captivate you and draw you emotionally into the show. Fraser is the bright spot for the show, and his voice is outstanding - in fact the whole cast are (as you'd expect from a big West End show) very talented. It's understandable why this show has flopped. The West End needs new innovative and imaginative shows (like Billy Elliot) not downgrade clones of previous hits. ...
Cast
Hadley Fraser (Ashton Pelham-Martyn)
Gayatri Irya (Anjuli)
Kulvinder Ghir (Rana of Bhitor)
Dianne Pilkington (Belinda)
David Burt (Harkness)
Simon Gleeson (Walter)
Kabir Bedi (Kahn Sahib)
Sophiya Haque (Janoo Rani)
Shaheen Khan (Sita)
David Savile (Sir Louis Cavagnari)
Stewart Scudamore (Maharajah of Gulkote)
Dean Hussain (Awol Shah)
John Trakos (Roberts)
Fiona Wade
Rick Savery
Christopher Dickens
Graham Vick
Robert Scotcher
Tomos Griffiths
Ralph Birtwell
Irvine Iqbal
Dan de Cruz
Nick Ferranti
Clare Foster
Caroline Keiff
Marina Abdeen
Meryl Fernandes
Shirani Bolle
Asha Kingsley
Nikki Shaw
Hannah Chick
Sunil Pramanik
Jez Unwin
Creative
MM Kaye (Book)
Philip Henderson (Music)
Stephen Clark (Lyrics)
Michael E Ward (Producer)
John Whitney (in association with Arjun C Waney and Reita Gadkari) (Producer)
Gale Edwards (Director)
Lez Brotherston (Design)
Peter Mumford (Lighting)
Andreanne Neofitou (Costume)
Piali Ray (Choreographer)
Rick Clarke (Sound)
John Cameron (orchestrations) (Music)
Davie White (music) (Director)
Kuljit Bhamra (Indian music associate) (Music)
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