Synopsis It's 1979. Ian Dury and the Blockheads' new single Reasons to be Cheerful (part 3) is climbing the charts. Labour has just lost the recent election to the Tories. Vinnie and his mates are big Ian Dury fans and they are desperate to see him at the Hammersmith Odeon but the gig is sold out. Vinnie will do anything to get tickets, but life is complicated. His dad is dying; the girl he loves is going out with his boss at the supermarket, and his own band never stops fighting. But the opportunity to get tickets for the gig arises and events take a surprising turn. Set during a time of political change and economic hardship, Dury's songs provide a powerful political and emotional backdrop to this coming-of-age tale. All performances include captioned dialogue, BSL-interpreted songs and audio description.
There’s a lot of it about at the moment. Popular music, that is, draped somewhat disjointedly – not to say discordantly – around a disconnected story. Take Reasons To be Cheerful by Paul Sirett with the music (mainly) of Ian Dury. This collaboration between Ipswich’s New Wolsey Theatre and Graeae was first staged in autumn 2010 and is now back with basically the same cast for a new tour.
Gaelle Mellis’ designs for Jenny Sealey’s production litter the stage with 1970s paraphernalia and adds in video, animation and surtitles to provide the words of the different numbers and mirror the dialogue (this doesn’t always synchronise perfectly). Graeae properly prides itself on playing to an inclusive audience using performers of whom some have a range of physical disabilities.
The principal actors are those of the original cast. Stephen Lloyd is Vinnie, the drop-out teenager coping rather badly with his father Bill (Garry Robson)’s cancer and the strain this imposes on mother Pat (Karen Spicer). Stephen Collins plays work-mate Colin with Nadia Albina as (eventual) girl-friend Janine and Daniel McGowan as their boss Nick – an apposite name.
It’s all extremely noisy and, for non-Dury aficionados in the audience, musically dull – nor to say repetitive. Though the actual story which is at the heart of Reasons To be Cheerful is ultimately a moving one. A formerly strong bread-winner now reliant on his wife, a wheel-chair and increasing doses of medication; that wife and mother at the end of her several tethers; the son torn between a nebulous future (if he earns a place at university) and a stultifying present; the girl who wants understanding and not just sympathy – these are all real people. They deserve a proper play.
Not enough innovation .artistic and choreographic output extremely poor.disappointed throughout.cover versions do better than this. - gina collazi
28 Apr 12
saw the saturday matinee at hackney empire. was knocked out. totally endearing piece of work. laughed, snufffled a bit. sad thing was it was poorly attended. what a waste! i wish them packed out houses for the tour becasue they deserve it. - maggy
02 Apr 12
Totally awesome performance - Saturday, 18th February,matinee last day. Standing ovation, a fantastically moving theatrical experience. I urge all 40 somethings to attend! The review above seems so alien to me, even the graphics were fantastic. Could not fault it. - Susie Enoch
The New Wolsey Theatre is a 400 seat producing and receiving house in the heart of Ipswich with the New Wolsey Studio just 5 minutes away in St. Georges Street (IP1 3NF).
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