As You Like It
From: Thursday, 13th March 2003
To: Saturday, 8 November 2003
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Synopsis
Written around 1600 and set in two contrasting communities; city and forest. Rosalind and Celia have been banished from Court. In fear of their lives, they disguise themselves and seek sanctuary in the Forest of Arden. Amongst the magical and ancient boughs, Rosalind discovers her exiled father, uncovers various truths about herself and others...and falls helplessly in love. But in this earthly paradise nothing is quite what it seems: men do not always act like men, and women can be anything at all...Uplifting, awe-inspiring and immense fun, Shakespeare's wondrous comedy is a joyous celebration of the liberating power of love and the redeeming spirit of nature.
Our Review: 


24 March 2003
George Bernard Shaw must be revolving in his grave. Barely has spring sprung and already four major productions of his least favourite Shakespeare play ever have hoved into view. This, the first, is the opening salvo in the RSC’s inaugural season under the stewardship of new artistic director Michael Boyd and, as such, is keenly awaited.
Well, I come not to bury Boyd, or more specifically Gregory Thompson, who directs, but, while there is much to commend, the production overall is a disappointment. Most curious is that after plumping so unashamedly for a crowd-pleaser this production of the play should receive such a muted reception, at least on the night that I saw it.
Key Shakespearean comic staples are present and correct in this adaptation – updated to the Victorian age. As with Midsummer Night’s Dream there is a flight from court to the freedom of the forest; romance, complicated by the assumption of the heroine, Rosalind, of the identity of a man (Mer...
Latest User Review
USER: Whatsonstage.com (81.107.235.23) - 26 August 2003: ![]()
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For me, the performances were of a four star quality, especially Naomi Frederick (Ceilia), Nina Sosanya (Rosalind), John Killoran (Touchstone) and David Fielder (Jacques). Of the leads, my only gripe would be Martin Hutson's Orlando which seems to come from the "shouting" school of acting which I hate with a passion. I agree with other reviewers though that something is not right with this production and I think that comes down to direction. The "cast as trees, sheep and in Ms Frederick's case a deer" seems to have been the only idea. While amusing for a bit (and allowing some nice movement by Ms Sosanya and Mr Hutson) it is a bit gimmicky and "drama school". This does not take away from a pleasant and touching production....
Cast
Tim Barlow
Daniel Brocklebank
Branwell Donaghey
Christopher Duncan
David Fielder
Amy Finegan
Naomi Fredrick
Bradley Freegard
Patricia Gannon
Natasha Gordon
Michael Hadley
Walter Hall
Martin Hutson
Michael G Jones
John Killoran
Edmund Moriarty
Aaron Neil
Alistair Robins
Nina Sosanya
James Staddon
Creative
Shakespeare (Author)
Royal Shakespeare Company (Producer)
Gregory Thompson (Director)
Colin Peters (Design)
Hilary Lewis (Costume)
Judith Greenwood (Lighting)
David Stoll (Music)
Andrea Cox (Sound)
Struan Leslie (Choreographer)
Alison De Burgh (fight) (Director)
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