Synopsis It tells the story of Dummling and his one true love Dajona, the princess who will not laugh, of her sister Birgit, and her one true love Boris and his mother Christina and her one true love Conrad - the King. Follow the farcical adventures of these two ill-matched families as they struggle with forests, faeries, and unbelievable good fortune in a magical tale about luck, love and a beautiful, mysterious Golden Goose.
Manchester has no shortage of family productions this Christmas. There are countless pantomimes and a Roald Dahl adaptation to choose from as well as this lovely play, written by local favourite, Charles Way. Following his success with both Beauty And The Beast and Merlin And The Cave Of Dreams, Way approaches a story more associated with pantomime and gives it a fresh twist.
Two ill matched families come together in the name of love. Young lad Dummling is much maligned. No-one expects him to achieve anything in life. He is constantly passed over as his brother is much stronger than him. One day he falls for Princess Dajona, a woman who cannot laugh. His brother Boris falls for Dajona's sister, Birgit; a woman who cannot stop laughing. Not to be left out, Dummling's mother Christina falls for the King. The young hero has to prove his worth as he embarks on a series of adventures leading to the discovery of the mysterious golden goose.
This fast paced production has humour a plenty as Way chooses to send up the codes and conventions of the fairy tale. This works really well as tongue firmly in cheek means that much of the earnestness that you expect from the genre is all but gone in place of smiles and laughter. It may not be as sophisticated as Shrek or The Princess Bride but it will make your child beam with delight as Way is so knowing of his subject.
One terrific scene features Dummling sorting out which things he wants uninvented and which things he wants to keep. The children on the evening I attended giggled at this dilemma as the protagonist had to choose from cheese straws and teachers, among other items. Beautifully written and directed with real respect for both children and adults, it is a joy to watch.
The talented cast are incredibly engaging. Paul Stoker and Andrew Grose spark off each other as Dummling and Boris – the brothers not so grimm. Eleanor Howell and Annie Rowe also keeps the laughs flowing as their love interests.
James Vartan’s set is simplicity itself consisting of small scale models and a forest with secrets. There is some wonderful animation and yes, everyone lives happily after. As will you if pick this goose instead of a turkey this Christmas.
Funny show. Made me laugh. And I was the parent. - 84.65.147.39)
08 Dec 06
I agree. Such a treat for anyone of any age. I saw it with three kids and laughed as much as they did. It's rare to see something where the whole family can have equal amounts of fun (not just us adults enjoying the kids laughter, but not really the play itself, as usually happens). I thought it was fantastic. Congrats to the Library Theatre who always come up trumps. This is surely the one theatre in Manchester that always delivers, show after show, year after year. Even the Exchange (especially the Exchange?) is very hit and miss these days.
Go go go. - 84.65.212.54)
29 Nov 06
The Golden Goose written and directed by Charles Way is the Library Theatre's Christmas production for this year and by the look of last nights opening night they have another hit on their hands. The story is adapted from the Grimm Fairy tale of the same name but with many of Way's own additions.
The production is a truly magical nights entertainment and the eight strong cast are all magificent with Stephen Finegold particularly brilliant as the Fairy King and he gives a fantastic turn as the mad Doctor Siebenstein. Paul Stocker is an engaging Dummling the hero of the play.
A great night out. - 81.129.33.221)
St Peter's Square Manchester Greater Manchester M2 5PD
Telephone
0161 236 7110
Station
Description
Minicom - 0161 236 7110. In 2010 the theatre will perform in various venues before moving to its new home in a refurbished Theatre Royal in First Street in 2014.
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