Synopsis An award winning musical comedy which tells the unlikely story of a Catalan matador who inherits a Norfolk barbershop. A delightfully madcap show packed with laughs, tears and stampeding cows - all in four-part harmony. Will our young hero manage to enchant the locals with his continental flair? How will he fare against local favourite Trevor Sorbet in a high-stakes coiffeurs’ cut-off? Can he win the heart of the beautiful town crier? And will he ever leave Norfolk again? Barbershop’s funniest quartet are back! Following their 2008 triumph, which saw Barbershopera! win both the Most Promising New Musical and Best Lyrics accolades at the Musical Theatre Matters Awards, three guys and a girl return with tale of a Catalan matador who inherits his father's Norfolk barbershop. Expect laughs, tears and stampeding cows - all in four-part harmony.
The cast list of Barbershopera II reads like a bad joke: a Catalan Matador, a bouffant-topped hairdresser and a town crier (and her dad), all dwelling in Shavingham, Norfolk. The plot is not much more sophisticated. After the death of barber Johnny Johnson, his long lost son, a matador named Esteve, arrives in search of his late father’s Golden Thinning Scissors. He finds himself up against not only his father’s friends, town crier Vicky and her father Rod, but the formidable hair stylist Trevor Sorbet. Expect plenty of jokes about barbers, Norfolk inbreeding and the insatiable murderous desire of a bull fighter…
The story is as silly as you would expect but of course, the pull here is not the plot but the fact that it is almost entirely performed in four-part harmony. Writers Rob Castell and Tom Sadler prove themselves a formidable team, writing harmonies and lyrics that are quite simply breathtaking. Both take leading roles in the show: Castell plays Spaniard Esteve with comedic perfection and Sadler changes character with flawless ease. His evil hairdresser Trevor Sorbet very nearly steals the show in terms of comedy moments.
Sarah Tipple's direction is beautifully executed, the limited space proving no challenge for the all-singing, all-dancing, occasionally murderous cast.
The unfortunate problem with the show is that its biggest challenge is also its best quality. The four-part harmony is so flawless that after 10 minutes one forgets just how technical the piece is; the result in a slightly deflated feeling upon leaving the theatre. It is only in hindsight that one realises that its very flaw lies within its perfection; an obstacle impossible to overcome.
Barbershopera II is 90 minutes of four-part harmonic perfection; it is an incredibly funny, ridiculously silly piece of theatre. The company has won two Musical Theatre Matters awards with its previous show, and it’s clear to see why. They are currently in the process of writing Barbershopera III for another Edinburgh Fringe opening, and I for one, am looking forward to what they come up with next.
Bl**dy wondeful and I'll be booking for B3 at Edinburgh as well as Afternoon Delight. - Amy
16 Jan 10
I saw this show on Jan 8th. It's Brilliant in performance,writing and allround expertise. You will laugh alot and maybe shed the odd tear, so be prepared! BRAVO!!!! - Marianne Stork
12 Jan 10
Not only was this technically brilliant but engaging and side-splittingly funny from beginning to end. - Elizabeth Edwards
11 Jan 10
It's a clever idea and I have much admiration for the talented cast, but I'm afraid it's a sketch which, at 80 minutes, is stretched way beyond it's natural life. In the end, more is less. - Gareth James
Opened 29 Sep 1930, on site of the Old Ship Tavern. Famous for the Whitehall Farces (Brian Rix) which started in 1950. 608 seats. Member of the Society of London Theatre. An [ATG] member. Closed after the run of Abigail's Party July 12th 2003. The 377 seat Trafalgar Studio opens early 2004. A further 100 seat studio space in the pipeline. Renamed from the Whitehall to Trafalgar Studios.
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