Synopsis The Runar Borge production is inspired by Alan Parker's Oscar-winning film and the popular American television series. Set in New York's legendary High School for the Performing Arts, Fame follows a group of talented students in their quests for stardom and success as well as in their struggles with romance and other teenaged relationships.
It’s back. After ten years playing seasons at no less than four different West End theatres followed by a seemingly endless stream of UK touring productions Fame the Musical has returned, this time with former Steps star Ian H. Watkins and Two Pints of Lager’s cheeky girl Natalie Casey heading the cast of 2007.
So do the kids from the New York School of Performing Arts leap on a bright yellow New York City taxi and warble “I’m gonna live forever” as if their lives depended on it? Unsurprisingly, William Hill stopped taking bets on that dead cert as soon as the summer season at the Shaftesbury Theatre was announced. And yes, this maddeningly enjoyable show still provides most of its dramatic kicks from watching pupils graduate from talented teens to fully fledged pros while discovering how fame is not only hard to achieve but can turn into a four-letter F-word if you don’t start paying in sweat and tears and knuckle down to some old-fashioned book learning as well.
Directed and re-staged by old Fame hand Karen Bruce (who injected enough choreographic energy into the West End production of Footloose to power the National Grid) there’s plenty of the required heartache and romance in-between megawatt routines and some deftly executed dance work-outs, although there surely ought to be a more eighties vibe about this bunch of extremely watchable students being groomed for stardom while sowing their wild theatrical oats. Somehow, for nostalgic fans of the original movie, Miss Sixty jeans and Top Shop chic will never quite replace flying splits delivered in retro eighties legwarmers, with soul queen Irene Cara belting out “I’m gonna learn how to fly – high”.
The triple-threat cross-over between acting, dancing and singing demands a lot from any cast but a talented company rises way above the predictable Fame script to “make magic”. Natalie Kennedy in particular is red-hot as Carmen Diaz, an over-ambitious Hispanic student whose dream of making it big in LA ends in a drugs nightmare.
If star diplomas are being handed out then step forward Desi Valentine. As Tyrone Jackson, the angry ghetto kid with literacy issues, this vibrant performer seems equally at home rapping, dancing on the sidewalks or performing a delicate pas de deux with ballet princess Iris (Danielle Cato). Of the teaching staff, Jacqui Dubois’ dedicated Miss Sherman has the most revelatory moment when she sings oh so soulfully about how the students have become substitutes for having children of her own.
Watkins, the ex-popster who went on to graduate from the Royal Academy of Music – surely the ultimate fame school – takes his acting classes suitably seriously as Nick Piazza the wannabe thespian with a passion for Pinter, while Casey, as the cookie Brooklyn girl who can’t quite work out if Nick is gay or swings both ways, dredges up feelings of rejection by singing “Think of Meryl Streep” with real passion.
Watching these kids and their mentors playing the fame game surely can’t last forever. Still, a top class cast keep the Fame flame burning in the West End, at least for the summer.
Good atmosphere. The whole cast are energetic and deliver good performances. The final number is well executed. Very entertaining night out. On the down side everything was kind of disorganized at the Shaftsbury. Our seats were taking and the manager wasn't very helpful, instead of helping us he was just flirting and giving his telephone number to a young girl who was probably underage. Our problem was sorted in the end by an usher and we were grateful, but the manager didn't offered an apology for their mistake. He was literally all over this young girl who was in the row in front of us. I have never seen any manager in the West End being so unprofessional. - Kim
19 Aug 07
Review of Touring Production at Southend Cliffs Pavilion.
Many people look down their noses at Fame and yet it tours constantly and has become a staple of the West End. Fame provides a showcase for some incredible young performers and this production is no exception, including Sophie Nowete, the best Mabel I have seen. The role of Serena has been played by many actresses who have gone on to bigger things, including the wonderful Julie Atherton of Avenue Q. Abi Finley, one of the ...Maria finalists, may be next; on top of a great voice she has a tremendous flair for comedy and her Brooklyn accent makes her even more reminiscent of Barbra Streisand - surely she should be the next fanny Brice in Funny Girl not Connie Fisher. Fame will never win any awards but it always guarantees a great night out and surely that is as much as anyone can ask for. - David Baxter
04 Jul 07
The entire show was amazing! Incredible dance skills shown by all. Natalie Hope as Lambchop was excellent! However, the performer who really took my breath away was Kevin McGuire as Goody! His dance skills were incredible, he always has a smile on his face which you cannot help but mirror and his acrobatics leave you sitting there blinking in disbelief! Look out for him, he's an unappriciated star! He's going to go really far! - Lin
21 May 07
Saw the first show on May 4th with my mate and Saturday night,just want to say the show is fab,the cast are fantastic,cant wait to go back and see it. - Avs
14 May 07
Absolutely electric atmosphere. The whole cast are great and deliver the production amazingly. Ian Watkins and Natalie Casey are very impressive as Nick and Serena, and the final number has everyone on the feet clapping and dancing in the aisles. Well worth the trip to London to see this fabulous version of a classic all time favourite musical - Katie
The first theatre to open in Shaftesbury Avenue on 20 Oct 1888. The original theatre was destroyed by bombs in 1941. A second theatre opened 26 Dec 1911 (originally the Prince's), badly damaged in 1940/41. Changed name to Shaftesbury in 1963. Housed the famous Hair performances in 1968. 1404 seats. Member of the Society of London Theatre.
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