Synopsis A group of friends - "cool! A gay pop star, a feminist film-maker and a homophobic politician" - meet in a Manchester B&B for the funeral and reading of the will of their recently deceased college friend. They gather to remember past friendships and the happy days of success but also to face the painful present. For one of them this will be more painful than the others can imagine... Contains adult material.
Dates: Opens 12 March 2003. Mar 1,8,12,15,22, Apr 5,12,26 at 20:00. Mar 5,6,11,19,20,27, Apr 4,7,15,24,25,30, May 1,2,7,8,9 at 19:30. Mar 29, Apr 5,12,26, May 10 at 16:00, Apr 16 at 14:30
This new play by Brad Fraser is being performed in rep with Chekhov's The Seagull at Manchester's Royal Exchange. In my humble opinion Cold Meat Party will be talked about as the more successful of the two.
A group of friends (consisting of a gay pop star, a feminist filmmaker and a homophobic politician among others) meet in a Manchester B&B for the funeral of their recently deceased college friend. They gather to discuss their past, but rose-tinted glasses are not supplied, and each of them is forced to face the fact that success has a sell-by date.
On hearing this synopsis, you may imagine some badly written farce where characters are forced together with the sole purpose of milking comedy from the stereotypes on offer. It is a credit, then, to Fraser's laugh-out-loud script - full of contemporary references, ranging from the net to sexuality and fame - that quite the opposite is true. This production is a joy to watch, and the pace never lets up as the menagerie of quirky characters struggle to cope with, not only the death of their friend, but also their own empty lives.
Colin Tierney's Marcus is a performance of great depth. His playing switches from camp to inner torment without once resorting to over-the-top body language. Geraldine Alexander manages to avoid replaying Eddie from Ab Fab and gives her character a strong pulse, particularly in the scenes with her confused daughter Nancy (a confident Emma Lowndes).
Helen Atkinson Wood brings acidic wit ("You're heavier than your j-peg!") as the mystery guest Fritz, while Kellie Bright shines as the down-to-earth, 'seen it all' Northern lass Amanda. Joseph Millson has all the best lines and delivers them with aplomb and expert timing.
It's only Tom Hodgkins who disappoints. Though adequate as the homophobic politician on the surface, he does not fully convey his character's turbulent inner life - and, even worse, he fails to project his voice during the most pivotal speech.
Director Braham Murray resists the urge to direct at a farcical pace and, instead, slows it down during the emotional scenes, allowing the actors to paint vivid pictures via Fraser's text.
Cold Meat Party serves up a hilarious night out and the feeling that a sequel would be more than welcome.
In a word: dreadful! KB, Chester - USER: Whatsonstage.com (130.88.89.101)
06 May 03
Very disappointing play. The one liners aren't all they're cracked up to be in previous reviews. Some very ropey acting. And the denouement is ridiculous. Paul, Manchester - USER: Whatsonstage.com (130.88.89.101)
18 Mar 03
Dreadful. This tries to shock for the sake of it. The acting is of such poor quality (the rock star, for example, shows no sign that he was ever one) that you'd be better seeing an am dram production. What is the Royal Exchange doing? Brad Frazer's previous plays have been excellent, but this feels rushed and half baked! Janey - USER: Whatsonstage.com (81.135.48.2)
17 Mar 03
One of those plays where you just have to buy the script to recall ALL the fantastic one-liners!. A very funny play with a tragi-serious underbelly about aging and the realisation that your best is behind you.
On-form the Royal Exchange is one of the UK's best theatres - and this is certainly 'on-form'!.
Great performances from all concerned - but be warned the Royal Exchange auditorium can play havoc with accoustics if the actor is facing away from you!
Viceroy (seen on the 12 March). - USER: Whatsonstage.com (62.252.203.49)
13 Mar 03
Firstly it is a great wildly entertaining evening at the best theatre around, and to see this company perform The Seagull in the afternoon with only an hour between shows is to feel a great adrenalin rush. Of the Cold Meat Party, it does have the feel of a very black sit-com. Sadly it seems to lack the sheer brute force of Brad Fraser's other plays performed at the theatre. You left those shocked and battered and uplifted and very very moved. Cold Meat Party does not have that emotion or the shock, and the plotting with its rather clumsy way of bringing a group together suggests Agatha Christie on one of her dark days. BUT, BUT, it is still a stunning evening with great performances and beautifully staged with no trickery.
I would heartily recommend this for an evening of dark comedy.
By the way, what were all those saucepans for? - USER: Whatsonstage.com (195.92.168.167)
St Ann's Square Manchester Greater Manchester M2 7DH
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Description
Closed by Manchester bombing 1996. Reopened Dec 1998 with a new 120 seat studio space added. Seats 750. Founding sponsor of The Studio - Selfridges and Co.
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