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Synopsis Set in 18th-century Paris, this tragic tale of seduction and deceit follows the cruel social games played by Marquise de Merteuil and her ex-lover Vicomte de Valmont as their aristocratic world slowly falls apart.
Sex, intrigue, deceit, lust, innocence, betrayal, passion, jealously - this production has it all and I absolutely loved it! The on stage chemistry, between real life husband, Adam Cooper, as Valmont and wife, Sarah Wildor as the innocent Madame de Tourvel, was tangible and, at times, almost seemed voyeuristic! Whew!!!!
The small impressive cast of nine, exuded amazing energy on stage with their eclectic mix of ballet, dance, drama and mime. Every movement, nuance and sinew delivered the story which, in some ways, seemed to give a far more powerful message than the spoken word could ever do.
Everyone ‘loved to hate’ Sarah Barron’s superb performance as the controlling and manipulative, Marquise de Merteuil. Valmont could perhaps be a touch nastier as he never quite hits the heights as the arch villain but Adam Coopers amazingly expressive performance, black leather chaps and seductive striptease more than makes up for his lack of ruthlessness!!!!!
The wonderfully simple set, designed by Lez Brotherston, exudes grandeur and opulence yet easily transforms from drawing room to boudoir, with walls that could be a mirror, a window or in fact just a wall!
Occasional aria’s sung by Miriam Cutt’s create a complementary narrative to Phil Feeney’s amazing score.
This is a must see poetic masterpiece from modern day choreographic genius Adam Cooper. Although it is not likely to satisfy the true ballet purist, it provides a fantastic evening of magical entertainment. I just hope there is a dvd to follow!
- 195.110.70.55)
10 Aug 05
I saw this show in Tokyo 12 times! Adam's interpretation of this novel is so brilliant. The costume and music are beautiful. It is like a ballet, but more dramatical. Adam's dancing inspires your lust definitely!
- 220.214.20.254)
Closed 23 June 96 to October 98 for a £48million refurbishment. On 3 Jun 1683 a Mr Sadler opened a pleasure garden at a country spring, this became known as Sadler's Wells. A wooden stage, later enclosed, there was known as Miles' Musik House. Theatre started in 1753. In 1765 a new theatre was opened. For a period it was the Aquatic Theatre with a floodable tank on stage, reverting to its current name in 1844. Closed in 1878 (had been a skating rink and a boxing ring). Re-opened 1879. Closed in 1906. Lilian Baylis opened a theatre there in 1931. Lilian Baylis was the niece of Emma Cons, the first woman member of the LCC and the freeholder of the Royal Victoria Hall and Coffee Tavern (now the Old Vic). Became a solely ballet and opera venue in 1934. Sadler's Wells was the original home of the Royal Ballet (then the Sadler's Wells Ballet) and the opera company from here moved on to the Coliseum. 1500 seats. Now has its own well back in use for the cooling system and bottled water. Very major refurbishment completed in 1998. Society of London Theatre member.
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