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Synopsis Akademi (www.akademi.co.uk ) is the leading organisation working with choreographers and dancers to produce and develop South Asian dance in the UK. For over 30 years Akademi has pioneered new visions of dance, synthesising classical and contemporary influences - and contributing to the cultural exchange that is now part of the creative DNA of the UK. In addition, the organisation s internationally recognised and respected community outreach programme mobilises South Asian dance for learning, creativity and well-being. Akademi innovate a rich year-round programme of work, from large-scale outdoor spectaculars to intimate productions for unusual spaces and venues. Akademi aims to bring people into contact with the creativity of South Asian dance in Britain and is currently celebrating its 30th birthday. The cast of international dancers provide a dazzling and colourful contemporary performance, honouring the traditions of Rajasthan and lighting up the Barbican foyers with its modern interpretation of Kathak and Indian dance styles. Bells coincides and complements the musical spectacle The Manganiyar Seduction, showing in the Barbican Theatre from 5-7 March. Foyer Level G - BITE10
See also The Pit. Opened 1982. The Barbican is home to the internationally acclaimed bite programme, featuring a diverse range of the most exciting new theatre, dance and music from around the world. Bite has established firm relationships with leading international artists and its impressive list of Artistic Associates includes; Deborah Warner, Michael Clark Company, Cheek by Jowl, Fabulous Beast and Afroreggae UK Partnership. Whilst continuing to support the work of established companies, bite seeks to enable young and emerging artists to present work at the Barbican. Recent bite seasons have included music from the favelas of Rio, Shakespeare from Japan, an Icelandic Peer Gynt, puppetry from Canada, traditional dance from Cambodia and cabaret from South London. Bite work extends beyond the 1166-seat Barbican Theatre and the 200-seat Pit into non-traditional spaces, often blurring the boundaries between performer and audience and enabling an even greater number of people to enjoy its programme.
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