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There are 74 onstage deaths in the works of William Shakespeare - 75 if you count the black ill-favoured fly killed in Titus Andronicus. They range from the Roman suicides in Julius Caesar to the death fall of Prince Arthur in King John; from the carnage at the end of Hamlet to snakes in a basket in Antony & Cleopatra; from Pyramus and Thisbe to young Macduff. There are countless stabbings, plenty of severed heads, some poisonings, two mobbings and a smothering. Enorbarbus just sits in a ditch and dies from grief. And then there's the pie that Titus serves the Queen of the Goths. Spymonkey will perform them all - sometimes lingeringly, sometimes messily, sometimes movingly, sometimes musically, always hysterically. The four ?seriously, outrageously, cleverly funny clowns' (Time Magazine) will scale the peaks of sublime poetry, and plumb the depths of darkest depravity. It may even be the death of them.
Christopher, fifteen years old, stands beside Mrs Shears' dead dog. It has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. I made a decision. I did this by thinking of all the things I could do and deciding whether they were the right decision or not. He has an extraordinary brain, exceptional at maths while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world. My name is Christopher John Francis Boone. I know all the countries of the world and the capital cities. And every prime number up to 7507.
On the night Brian Bishop murdered his wife, he was sixty miles away, asleep in bed. At least that's what he claims. But as Detective Superintendent Roy Grace continues to deal with the mysterious disappearance of his own wife, he starts to dig a little deeper into the chilling murder case and it soon becomes clear that love can be a dangerous thing.
The inept and accident prone Cornley Polytechnic Drama Society embark on bringing an ambitious 1920's murder mystery (Murder at Haversham Manor) to The Edinburgh Festival. Chris the arrogant head of the drama society has directed the piece and cast himself as the dynamic Inspector. Desperate wannabe actress Sandra and the genuinely doting Max struggle opposite each other as the romantic interest while hapless Dennis still can't pronounce 'facade'. An hour of hilarious disaster ensues; actors get knocked out, the play gets stuck on a loop and the set falls down before the final denouement. The production ends with an uproarious, totally improvised Q&A session with the cast, where the audience can put their own questions to the unfortunate troupe.
Andy Dufresne is convicted of murdering his wife and her lover and sent to the notorious Shawshank Prison to serve two life sentences. Stripped of his life, family and freedom, Andy is forced to endure a spirit-crushing routine. But with his quiet strength and inner courage there is one thing that Andy never loses - and that is hope.
Shakespeare and the 3rd Earl of Southampton. What exactly did happen between them? A powder keg of sex, power and politics in Elizabethan England.
A new play about Shakespeare and Southampton.