Review: All's Well That Ends Well (Sam Wanamaker Playhouse)
Reviews18 Jan 2018
Do theatres need a distinct identity?
Blogs16 Jan 2018
Matt Trueman: ten shows I'm looking forward to in 2018
Features31 Dec 2017
Review: The Secret Theatre (Sam Wanamaker Playhouse)
Reviews23 Nov 2017
If you want to see London's best theatre, join the queue for day seats
Blogs9 May 2017
Studio theatres are where you'll find the next James Corden
Blogs24 Jan 2017
Matt Trueman: ten shows I'm looking forward to in 2017
Features26 Dec 2016
Review: Buried Child (Trafalgar Studios)
Reviews2 Dec 2016
Matt Trueman: Is music the most powerful thing in theatre?
Blogs26 Sep 2016
Review: Punkplay (Southwark Playhouse)
Reviews12 Sep 2016
Review: The Inn at Lydda (Sam Wanamaker Playhouse)
Reviews8 Sep 2016
Matt Trueman: Why should critics #KeepTheSecrets of Harry Potter?
Theatre News25 Jul 2016
Matt Trueman: Shakespeare Live! gave us Shakespeare the poet
Blogs25 Apr 2016
Matt Trueman: Why do young actors plump for small spaces?
Blogs18 Apr 2016
The Tempest (Sam Wanamaker Playhouse)
Reviews1 Mar 2016
Matt Trueman: the best of Britain's playwrights constantly reinvent themselves
Blogs11 Jan 2016
Lemons, Lemons, Lemons, Lemons, Lemons (Zoo Southside, Edinburgh)
Reviews17 Aug 2015
Matt Trueman: What if Cumberbatch wasn't doing Hamlet?
Blogs27 Jul 2015
Matt Trueman: What on earth is Rufus Norris thinking?
Blogs6 Jul 2015
Matt Trueman: Turn off Twitter and go to the theatre
Blogs2 Feb 2015