The best design work is often woefully misunderstood
Blogs14 Nov 2017
Michelle Terry is a strong choice for the Globe – but she's not a safe bet
Blogs24 Jul 2017
Les Miserables is perfect, too perfect
Blogs5 Apr 2017
Review: Living with the Lights On (Young Vic)
Reviews13 Dec 2016
Review: Nice Fish (Harold Pinter Theatre)
Reviews25 Nov 2016
Matt Trueman: Is music the most powerful thing in theatre?
Blogs26 Sep 2016
Matt Trueman: Why immersive theatre rarely works
Blogs12 Sep 2016
Matt Trueman: Why should critics #KeepTheSecrets of Harry Potter?
Theatre News25 Jul 2016
Matt Trueman: Theatre is the antidote to poisonous politics
Blogs20 Jun 2016
Matt Trueman: We need to get out of theatres
Blogs31 May 2016
Matt Trueman: Why do young actors plump for small spaces?
Blogs18 Apr 2016
Matt Trueman: what happens when the alternative becomes mainstream?
Blogs28 Mar 2016
Matt Trueman: Rufus Norris has had an extraordinary first year
Blogs9 Feb 2016
Matt Trueman: Is it time for theatre to return to a spirit of excess?
Blogs2 Nov 2015
Matt Trueman: What planet is Steven Berkoff on?
Blogs26 Oct 2015
Matt Trueman: What could theatre learn from #HOFEST?
Blogs12 Oct 2015
Matt Trueman: Are we at risk of forgetting the plays of the past?
Blogs28 Sep 2015
Matt Trueman: Are British musicals stuck in the past?
Blogs7 Sep 2015
Matt Trueman: Should subsidised theatres rethink self-producing?
Blogs7 Apr 2015
Matt Trueman: Turn off Twitter and go to the theatre
Blogs2 Feb 2015