Edinburgh Festival top ten: Matt Trueman's picks
Features4 Jul 2017
Having a Donald Trump Julius Caesar is in bad taste. That's the point
Blogs12 Jun 2017
Jack Thorne's BAFTA haul proves we must look at playwrights' screen work too
Blogs16 May 2017
Review: The Bubbly Black Girl Sheds Her Chameleon Skin (Theatre Royal Stratford East)
Reviews9 Feb 2017
Can casting ever really be colourblind?
Blogs6 Dec 2016
Review: The Royale (Bush Theatre at the Tabernacle)
Reviews9 Nov 2016
Matt Trueman: Artists like Kate Tempest expand our horizons
Blogs3 Oct 2016
Matt Trueman: Theatre needs more live moments
Blogs5 Sep 2016
Matt Trueman: Harry Potter could learn from Hamilton
Theatre News6 Jun 2016
Matt Trueman: Should we update recent plays?
Blogs23 May 2016
Matt Trueman: British theatre has come to revere German theatre
Blogs16 May 2016
Matt Trueman: Olivier Awards: A good night for women but a bad night for diversity
Blogs4 Apr 2016
Matt Trueman: London theatres have become hang-outs
Blogs25 Feb 2016
Matt Trueman: Rufus Norris has had an extraordinary first year
Blogs9 Feb 2016
Ma Rainey's Black Bottom (Lyttelton Theatre, National)
Reviews3 Feb 2016
Matt Trueman: Andrew Scott makes theatre more dangerous
Blogs25 Jan 2016
Matt Trueman: British theatre has lost none of its heat
Blogs14 Dec 2015
Matt Trueman: has diversity in new writing stalled?
Blogs7 Dec 2015
Matt Trueman: Is it time for theatre to return to a spirit of excess?
Blogs2 Nov 2015
Matt Trueman: Should subsidised theatres rethink self-producing?
Blogs7 Apr 2015