Stephen Lloyd & Nadia Albina
Venue:
New Wolsey Theatre Where: Ipswich
Date Reviewed:
15 October 2010 WOS Rating: Average Reader Rating: Reader Reviews: View and add to our user reviews There’s a real story hidden under all the sound (lots of it) and fury (lots of that, too) which makes up most of Paul Sirett ’s Reasons to be Cheerful . It’s a production with input from Ipswich’s New Wolsey Theatre and the Stratford East Theatre Royal mounted by Graeae Theatre Company. Graeae, if you don’t already know its work, specialises in productions accessible to sight- or hearing-impaired audiences and integrates, most successfully, physically-disabled actors with non-disadvantaged ones. Wrapped around the afore-mentioned story is the music of Ian Drury , sung and played by a six-piece band which overlaps with the five principal actors. We’re in 1979 and the Tories have just won the election. Pat (Karen Spicer ) is at the end of her tether, with Bobby her husband (Garry Robson ) dying of cancer and Vinnie their son (Stephen Lloyd ) dropped out of the sixth form to work in a supermarket. Pat had her dreams, once, and so did her menfolk. But dreams fragment when rattling with medication and tangled up in a wheelchair
Tickets for a Drury concert are at a premium and the nasty bit of work who’s the boss of Vinnie and his anarchist friend Colin (Stephen Collins ) has four. Daniel McGowan is this exploiter and Nadia Albina plays Janine, the girl who finds better things to do and better people to take time out with. Jenny Sealey directs it within a suitably chaotic set by Gaelle Mellis . I’m sure that, if you like this music, you will enjoy it as much as the New Wolsey’s audiences seem to be doing. Personally, I’d have liked more of the story and less of the sound.
- by Anne Morley-Priestman
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Reader Reviews
Score Comment Date This play is ghastly. It is both offensive to the music of Ian Dury - which is performed in the style of a Chaz 'n Dave singalong, and offensive to common decency, unless, of course, you enjoy exposing your children to 'blow-job' jokes. Avoid this rubbish at all costs. I wish I had. - C Rider 18 Feb 12 ... oops.. that should be 5 stars not 3 - Mark Shepherd 22 Oct 10 I think Anne Morley-Priestman is missing the point of this terrific show. Her curmudgeonly review might carry more weight if she'd managed to get Ian Dury's name right. It does have a very simple story, but it's one which puts Dury at the centre. As a celebration of his work and influence, and more importantly as a celebration of thirty years of Graeae's brilliant work, I don't think it could be bettered. The energy, commitment and joie de vivre of the whole company, not to mention the seamless integration of the signing and audio-description into the action are worth the ticket price alone, regardless of whether you know or like the music. Ignore the review, and get down there. - P Martin 19 Oct 10
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