The New Diorama Theatre
Where: Inner London
17 January 2013 WOS Rating: Reader Reviews: View and add to our user reviews The Faction’s 2013 repertory season continues with Anton Chekhov’s Three Sisters, a typically dark and despairing play which focuses on the lives, loves and thwarted desires of Olga, Masha and Irina. Chekhov’s familiar themes of unfulfilled hope, desolation and futility are played out in a mythological Russian rural town in the late 1800s, one year after the death of the sisters’ father. One by one, the protagonists unveil vacant, purposeless lives laced with hopeless longing. Irina hates her living situation with a vengeance and longs to return to the bright lights of Moscow; Masha is deeply unhappy in her marriage to a boring school teacher and Olga, although successful in her career, would far rather be settled with a family.
Any company’s decision to tackle Chekhov is a brave one and, on the whole, this production does not disappoint. It is difficult, however, not to compare it with director
Mark Leipacher’s bold opening to the season and the piece lacks the edginess and artistic inventiveness of Fiesco. It could be, of course, that Chekhov simply offers less to work with and there are undoubtedly still moments of brilliance. For example, although use of the Faction’s trademark ensemble is more limited in this production, one particular scene in which the large cast sit in a perfectly straight line at a party, becoming awkwardly transfixed with something as unexciting as a spinning top, works brilliantly to highlight the empty lives. Ranjit Bolt’s modern adaption of the text also works well and, once again, there are some superb performances. Derval Mellett’s Marsha is skillfully portrayed as bored to the point of desperation, whilst Jonny McPherson delivers a sensitive portrayal of Vershinin, her married lover who serves to relieve some of her frustration. Lachlan McCall is consistently believable as Andrei, the sisters’ weak, hapless brother, his wife Natasha (played memorably by Laura Freeman), the archetypal, pushy outsider who worms herself successfully into the family despite being hugely unpopular.
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