One of the best nights I've had out at the theatre for 40 years...period! Utterly fantastic and deserves a much longer run...here's hoping! - Paul Monkhouse
04 Nov 10
I was spellbound from start to finish by this exhuberant performance. Yes, it certainly helps to like the music, which is superbly played and sung, but I found a great deal of depth in the story, and particularly the acting, too, and I did not seem to be alone in finding it very funny in many places. A reviewer elsewhere has mentioned that when the cast sing Spasticus Autisticus it as as rousing an anthem as Ian Dury could have hoped for, and just that on its own would have been well worth the ticket money for me!! I got such a lot more. It is great that you have reveiwed it, and thanks for the opportunity to add these comments. Best wishes, Robin. - Spiderdlb
31 Oct 10
I hadn’t planned to spend the evening at the very theatre where the afternoon’s show – Oh, what a lovely war! at RADA – had been created 47 years ago, but the co-incidence is wonderful as it show’s the Theatre Royal Stratford is still the powerhouse it was then. Even though it does best fit the genre ‘jukebox musical’ it would be grossly unfair to use that label because its spirit is so far from the ‘showbiz’ of those that precede it. Here you’ll find energy, passion and heart with just the right amount of chaos and anarchy worthy of the man whose songs it celebrates. I absolutely loved it! A simple story links the songs; set in 1979, a young man is trying to fix an outing to Drury’s Hammersmith concert for his dying dad and his best mate. They don’t make it, but along the way we get a slice of early Thatcher Britain, spend time with a family coping with cancer and a budding love story. The tale is being told in a pub in the present day as a tribute and benefit to the dad. It’s a bit slight and the politics are a bit crude (though somewhat timely, post-spending cuts!) but it’s told with great passion & a big heart with an infectious, blissful chaos. A co-production with disabled-led company Graeae, the integrated cast is simply superb. Stephen Lloyd is a charming Vinnie, you can’t help but love Stephen Collins angry deaf Colin, Karen Spicer makes such a good job of mum you’re convinced she really has turned up to play herself and Nadia Albina is so full of life as Janine it’s infectious. Garry Robson plays dad from his wheelchair and John Kelly sings lead from his. The talented Daniel McGowan gets to play two parts, guitar and two saxophones simultaneously! The band under Robert Hyman bang out the songs as if their life depended on it (great drumming from Mat Fraser, playwright Paul Sirett on guitar and Nixon Rosembert on bass), but you can still get every word of Dury’s unique (and often filthy!) lyrics. Audio describer Wayne Norman and signer Jude Mahon double up as dancers! The spirit of Ian Dury is well and truly alive in Stratford and if he made you smile, laugh and cry like he did me, get there quick and you’ll have a ball. - Gareth James
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