The Lincoln Company's venture into the world of Stephen King is certainly ambitious and, for the most part, the play delivers. The basic, dingy set complete with glowing lamps and the ethereal use of entrances and exits (or lack thereof) suggest an alternative plane within which the protagonist's mind is suspended. The poor craftsmanship of the written adaptation is almost completely disguised by the adept young actors; the less believable lines have clearly been addressed, explored and approached in a mature manner and the acting style (often conversational and naturalistic though this is effectively punctured by moments of heightened coldness and harshness) is perfectly suited to King's story.
There are still points where plotholes or writing mistakes are just too glaring to be glossed over by any amount of acting, but despite the general impression of a lost cause looming over the performance at these times, the cast still give it their all, making it more disappointing for the audience when the script fails them.
Overall verdict: give this cast some workable material and they might generate stage gold. More's the pity that, in real life, gold can't be woven from straw. - Bella G