SAVE £25.00 BUY TICKETS
SAVE £12.00 BUY TICKETS
SAVE £27.00 BUY TICKETS
SAVE £23.00 BUY TICKETS
SAVE £20.00 BUY TICKETS
SAVE £13.00 BUY TICKETS
MORE INFOBUY TICKETS
Whether you're after a bit of musical madness, or it's a play you'd prefer, we have something for everyone with our great selection of tickets.
Access our Ticket Central for all our London tickets as well as our ticket offers, discounts, meal deals and corporate hospitality.
Daybreak is described as a coming-of-age musical about the connection between two relationships: Dylan, an in-the-closet husband (Matt Stevens), his wife Rebecca (Suzy Bastone) who wants his baby and Kelly and Jamie who meet at a bridge where they both try to attempt suicide but instead get together (Kayleigh Louise-Smith and Tom Senior). During the course of Bobby Cronin’s new musical the story develops the links and we realise what connects these two couples with each other. Early on there is a disconcerting feeling of having missed the introduction of the story; with hardly any dialogue the action moves from one song to the next without breaks. Right from the beginning the four singers’ strong voices and beautiful harmonic arrangements (musical director Richard Bates) make an impressive impact but unfortunately the piano accompaniment is set too loud so that some of the quieter sung moments feel over-run. The plot is hard to follow and only starts to make sense halfway in. Cronin’s writing deals with an important fact about married men being secretly gay and the impact on the people surrounding them, but there are many moments lost which would have needed less of the declarative and over-emotional acting style linked to the musical theatre on the same wavelength as Fame. Hayley Cusick’s direction is precisely choreographed yet it's sometimes unclear where the focus is supposed to be and there is no time for the actors to breathe since the numbers follow each other so quickly in succession, and moments which could be developed get dissolved straight away. Richard Bates (on press night) is a great conductor while also playing the piano and the cast's excellent voices are a joy to hear. Even though no melody sticks in the mind and it's hard to distinguish the songs after a while, the performers fully take the stage and use all they have to make the songs come alive. That said, they could at times restrain themselves from over-stressing each emotion in songs which comfortably speak for themselves.- Fleur Poad
Early on there is a disconcerting feeling of having missed the introduction of the story; with hardly any dialogue the action moves from one song to the next without breaks. Right from the beginning the four singers’ strong voices and beautiful harmonic arrangements (musical director Richard Bates) make an impressive impact but unfortunately the piano accompaniment is set too loud so that some of the quieter sung moments feel over-run.
The plot is hard to follow and only starts to make sense halfway in. Cronin’s writing deals with an important fact about married men being secretly gay and the impact on the people surrounding them, but there are many moments lost which would have needed less of the declarative and over-emotional acting style linked to the musical theatre on the same wavelength as Fame. Hayley Cusick’s direction is precisely choreographed yet it's sometimes unclear where the focus is supposed to be and there is no time for the actors to breathe since the numbers follow each other so quickly in succession, and moments which could be developed get dissolved straight away.
Richard Bates (on press night) is a great conductor while also playing the piano and the cast's excellent voices are a joy to hear. Even though no melody sticks in the mind and it's hard to distinguish the songs after a while, the performers fully take the stage and use all they have to make the songs come alive. That said, they could at times restrain themselves from over-stressing each emotion in songs which comfortably speak for themselves.
- Fleur Poad
Buy Tickets
Click here to visit the Whatsonstage.com Ticket Central
The best availability & the best prices for London theatre.
Free Newsletter
Subscribe to our free newsletter
Featured Video
Twitter
Featured Editor's Picks
Follow Us