By Editorial Staff
Calixto Bieito has form; he’s long been seen as opera’s bad boy, with a string of excesses behind him.  ENO’s last production of Carmen, by the film director Sally Pott
La bohème
By Editorial Staff
OperaUpClose's La bohème started life above a grimy pub in Kilburn three years ago and has now clocked up 300 performances, a landmark to add to its Whatsonstage and Olivier Awards.&nb
L'elisir d'amore
There was only one question on everyone's lips: would Roberto Alagna, one-time operatic pin-up now pushing fifty, still have the chops to pass muster as the young, gullible, lovelorn hero of ...
The Pilgrim's Progress
By Editorial Staff
Following a superlative Death in Venice at Aldeburgh in 2007 (later seen at Bregenz and soon to be revived by Opera North), Yoshi Oida’s London opera debut is long overdue.  Unfort
Massenet/Martinu at Guildhall
By Editorial Staff
Guildhall School of Music and Drama at Silk Street Theatre Last year the Royal Opera demonstrated the cumulative strength of presenting Puccini’s Il Trittico as a whole and Guildhal
Knussen Double Bill
"Well, I stayed" declared a small boy on the way out. "You did," smiled his dad. "All the way through. Good boy." Duty done. Take the rest of the evening off.In truth, a good number of parents ...
La Monnaie/De Munt, Brussels Alban Berg’s opera,Lulu, was left unfinished due to the composer’s tragically early death. He left two acts complete, and sketches (and some fully or
Mozart, Salieri & Rimsky-Korsakov
By Editorial Staff
Jette Parker Young Artists at the Linbury Studio Writing an opera at the age of 12 is an extraordinary feat but if you want proof that Mozart actually was once a child, his singspiel Bastien und
Don Giovanni
A wonderful thing, the human subconscious. Mine has the happy knack of obliterating ugly memories from the past; but, for some reason, in the case of Rufus Norris's 2010 hatchet job on Don
Albert Herring
By Editorial Staff
Pre-empting Britten’s centenary year, and with a wide-ranging tour across the country over the next six weeks including performances in Snape Maltings, English Touring Opera’s vivid new pr