As a result of two years of therapy Jenny manages to recover memories of child abuse. With the support of her therapist she goes on to accuse her father of rape, as well as accusing her mother and grandfather as being complicit in the abuse that persisted throughout her childhood. Quickly, however, one is forced to ask the question: is Jenny unlocking real memories of her past or is her therapist planting memories that Jenny is then encouraged to retrieve under hypnosis?
The problem of human suggestibility as well as the fragility of family relationships are the central concerns of this play. The most chilling element of the performance is the power that Valerie Sally Plumb has over the vulnerable Jenny Clare Cameron, who quickly becomes indoctrinated with the evangelical feminist ravings of her therapist. The disturbing nature of this drama is not simply a result of the cast's convincing performances however, but because Wesker based the narrative on real events.
The cast successfully capture Wesker's purpose of writing; that is, in performing the unthinkable and the un-sayable his audience is forced to confront the darkest aspects of society.
- Charlotte Pegram