Godspell
It’s been 40 years since Stephen Schwartz first masterminded Godspell and upstairs at Ye Olde Rose And Crown, All Start Productions celebrate its anniversary with a revival of the 1970s classic.
The set looks like a bomb has hit Abigail’s party; scattered around are paisley sofas, tasseled lampshades, shopping trollies and traffic signs all of which are used as props as the play progresses. It’s an impressive set design by Sarah June Mills who creates a cozy, yet dilapidated surrounding, crafting an illusion of a timeless setting that could easily be 1974 or present day. It’s a little claustrophobic but suits the small theatre space. Clearly drawing inspiration from the original production, Mills’ schizophrenic costume design matches her set and works perfectly.
Interestingly the strongest of voices came from members of the ensemble, chief among them is James Mullin whose expressive, witty and energetic performances makes for an engaging stage presence and win the biggest laughs, bested only by his powerful voice. Ashley Hartland, Amy Burke and Sally Samad all give notable performances.
The cast, excluding Jesus, take on the roles of ever-changing characters, retelling the Gospel through Schwartz’s songs and parables using relevant and funny pop culture references; among them being Vicky Pollard, Gordon Ramsay and the X Factor.
They often break the forth wall, taking audience participation to another level; be prepared to be splashed with water, sat on, caressed and offered wine from the bottle. It is intrusive at times but delivered in such a witty manner you can’t help but laugh or at least awkwardly avoid eye contact if you sense you may be targeted next.
Brian Elrich’s portrayal of the Son of God is flawless; far from the traditional Christian image of linen and sandals, he is dressed like a student on a gap year with a bit of Adam Ant and new romanticism thrown in for good measure. He exudes allure and charm, inciting the audience as much as he does the players.
– Allison Mulimba
