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Matthew Fox & Olivia Williams
Matthew Fox & Olivia Williams

Matthew Fox Gets Lost in LaBute Forest, 14 Mar

Date: 22 November 2010

As previously tipped, Lost heartthrob Matthew Fox will make his West End debut in the world premiere of In a Forest, Dark and Deep, written and directed by Neil LaBute. The new psychological thriller about sibling rivalry, in which British stage and screen star Olivia Williams will play his sister, will have a limited 12-week season at the Vaudeville Theatre from 14 March to 4 June 2011 (previews from 3 March).

On a dark and stormy night, all Bobby thought he was doing was helping his sister Betty clear out her cottage in the forest. But in this cabin of lies nothing is as it seems and the truth refuses to be packed away. What is she hiding? Does he really want to find out?

Fox is best known as Dr Jack Shephard from Lost, for which he was Emmy and Golden Globe nominated. His other credits include Party of Five on television and Speed Racer, Vantage Point, Smokin’ Aces and We Are Marshall on film.

Williams’ London stage credits include Love’s Labour’s Lost, Hotel in Amsterdam, The Changeling and, most recently at the National, Happy Now?, while her myriad screen credits include, on TV, Dollhouse, Miss Austen Regrets, Agatha Christie, Emma and Friends, and the films The Ghost, An Education, The Heart of Me, Flashbacks of a Fool, Lucky Break, Born Romantic, Rushmore, The Postman and The Sixth Sense.

American dramatist Neil LaBute’s work is frequently mounted in the UK. In the West End, his credits include Some Girls, The Shape of Things and, most recently, Fat Pig, which won the 2009 Whatsonstage.com Award for Best New Comedy; at the Almeida Theatre, In a Dark Dark House, The Mercy Seat, The Distance from Here, Bash and The Shape of Things; at the Donmar Warehouse, This Is How It Goes; and at the Bush, The Furies, Helter Skelter, Land of the Dead, The War on Terror and Wrecks. Reasons to Be Pretty, seen on Broadway in 2009, has also been tipped for the West End next year.

In addition to his stage work, LaBute is well known for his screen writing and directing. His films include In the Company of Men, Your Friends and Neighbors, Nurse Betty, Possession, The Wicker Man and adaptations of The Shape of Things and Bash.

In a Forest, Dark and Deep is designed by Soutra Gilmour, with lighting by Mark Henderson and sound by Fergus O'Hare. It’s produced by Anna Waterhouse, Nica Burns, Max Weitzenhoffer, Jay Harris and Josephine Genetay.

Currently at the Vaudeville, Lindsay Posner’s revival of Oscar Wilde’s An Ideal Husband, opened 10 November 2010 (previews from 4 November) and is currently booking through to 19 February 2011.

** WE’LL SHORTLY BE ANNOUNCING A WHATSONSTAGE.COM OUTING TO THIS PRODUCTION. IF YOU’D LIKE AN EMAIL ALERT AS SOON AS TICKETS GO ON SALE, FILL IN YOUR DETAILS HERE . PLEASE NOTE, ALL OUTINGS GO ON SALE FIRST EXCLUSIVELY TO MEMBERS OF THE WHATSONSTAGE.COM THEATRE CLUB. **

- by Terri Paddock

Related Content

Internal Links
Photos: Matthew Fox, Williams, LaBute Go Deep - 22nd Nov 2010 Photos
Something Big & Starry at the Vaudeville??? - 16th Nov 2010 Gossip
Matthew Fox Gets Lost in New London LaBute??? - 3rd Sep 2010 Gossip
Neil LaBute On … The Thrill of Short Plays - 25th Jan 2010 Interviews

External Links
Whatsonstage.com Outing sign-up page


Reader Comments


CommentDate
Does anyone know if this play will rerun in the London West End in the future? - Lizbeth

26 Aug 11

I went along to see the play last Wednesday being a fan of Matthew Fox in Lost. However I thought the swearing was a bit ovet the top and came away disappointed. - Sue J

06 Jun 11

I liked it, quite short but an enjoyable play. Also, to the person who said Matthew Fox's accent was convincing, that's because he's american.. haha - Kate

23 May 11

I went to see this play on Thursday evening and I was also dissappointed. I found Olivia Williams to be very irritating; her accent was drifting between American and British and her body language was over dramatic [especially her hands over her face]. At times I felt that she was running a masterclass in how to overact; it reminded me of drama lessons when you are asked to display emotions and you realise that people do not act like that naturally. I also agree with other post about the shouting. There was also a feeling of the dialogue and performance coming across as being very tired and a real effort. - Dee

03 Apr 11

What a disappointment. Olivia Williams, in spite of considerable stage experience, shouted her way through the play and stomped around the stage in a very 'actressy' performance. This is a subtle play, not a thriller at all, and needed someone with more presence that Williams to carry it off. I have to admit I didn't know who Fox was thought his American accent was very convincing... His performance was convincing too. Williams rather spoilt it, unfortunately. - lesley Campbell

14 Mar 11

Very disappointed in this play which I saw tonight. Not sure it can be classed as a thriller....transparent plaot and wooden acting I'm afraid. - Jonty

12 Mar 11

In a Dark dark house was shown at the Almeida not the Donmar - ELisabeth

22 Nov 10


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