McMasters Bows Out with EIF’s 2006 ProgrammeDate: 22 March 2006
Full programme details for the 60th annual Edinburgh International Festival (EIF), the last under outgoing EIF director Brian McMaster, are announced today. EIF - the parent to the much larger and more chaotic Edinburgh Fringe - runs 13 August to 3 September 2006 this year with its global mix of opera, ballet and music as well as theatre.
Legendary German director Peter Stein - whose acclaimed production of Blackbird at last year’s EIF is now playing at the West End’s Albery Theatre (See News, 2 Dec 2005) - will return to the Edinburgh Festival in 2006 to direct an epic new production of Shakespeare’s Troilus and Cressida, which will subsequently visit Stratford-upon-Avon as part of the RSC’s Complete Works festival (See News, 8 Feb 2006). Stein will also direct Tchaikovsky’s opera Mazeppa.
Other theatre highlights at the 2006 EIF include: the world premiere of Realism by Anthony Neilson (whose previous Festival commission The Wonderful World of Dissocia was a hit in 2004), the first co-production between EIF and the National Theatre of Scotland; Long Life, a play without words performed by the New Riga Theatre that follows one day in the lives of retired people living in a communal block in Latvia, directed by Alvis Hermanis, who won the Young Directors Project Award at the Salzburg Festival in 2003; and director Krystian Lupa and American Repertory Theatre’s production of Chekhov’s Three Sisters.
Ever-controversial Spanish director Calixto Bieito premieres Platform, adapted from Michel Houellebecq’s novel in collaboration with the author. It charts a French civil servant’s voyage of self-discovery as a tourist in Thailand and his ultimate realisation that sex is not necessarily the most consuming nor the most dangerous of human passions. Bieito’s previous EIF productions include Celestina, Hamlet, Life is a Dream and the opera Il Trovatore.
In addition to theatrical productions, 2006 EIF attractions include: Claudio Abbado conducting Mozart’s The Magic Flute; Simon Rattle conducting the Berliner Philharmoniker; Charles Mackerras conducting all of Beethoven’s nine symphonies; large scale ballet with the UK premiere of Balanchine’s Don Quixote; and a host of international orchestras and artists. The Lloyds TSB Scotland Concerts enable audiences to choose from three concerts a night for three nights each week. Each concert is approximately an hour in length and each features the work of one composer.
Commenting on this year’s EIF, McMaster said: “The EIF is one of the most exciting places in the world to experience the performing arts, enabling us to present world-class experiences to the widest possible audience.” He added: “This year is obviously a very special Festival for me. Many artists I admire expressed a wish to be in my final Festival, and many supporters have invested that bit extra this year.”
McMaster will be succeeded by Jonathan Mills, one of Australia’s leading festival directors, who will programme events for the 2007 Festival and beyond. Mills is currently the Vice-Chancellor's (Professorial) Fellow at the University of Melbourne, director of the Alfred Deakin Lectures and an artistic advisor to the new Melbourne Recital Centre and Elisabeth Murdoch Hall, which is scheduled to open in 2009.
More than half a million people plan their August holidays each year around a trip to Edinburgh. The granddaddy of them all, EIF is just one of some seven festivals that overtake the Scottish city in August. The others are the Edinburgh Film Festival, Book Festival, Jazz & Blues Festival, Visual Arts Festival, the Military Tattoo and, of course, its main spin-off, the Edinburgh Fringe which, on its own, qualifies as the world's largest arts festival, with over 1,500 shows presented annually.
EIF tickets for 2006 go on sale to the public Saturday 8 April 2006 and can be booked on 0131 473 2000. To access the full 2006 Edinburgh Fringe programme - as well as online booking - visit the festival website.
- by Caroline Ansdell
