Royal Opera House
Confessions of an opera virgin: Opera is for rich, wrinkly white folk. Right?
By Ben Hewis
Our deputy editor visits the opera for the first time, despite his anxiety-inducing preconceptions
Review: The Exterminating Angel (Royal Opera House)
A dining-room apocalypse in the nihilistic new opera from composer Thomas Adès
Review: Die Meistersinger von Nürnberg (Royal Opera House)
Musical riches but sour visuals in Kasper Holten's farewell production as director of opera