Harry Potter and the Cursed Child brings forward opening night
By Ben Hewis
Reviews of the production will now be published at midnight on 25 July
Sarah Crompton: Why do some people like to know the ending?
Sarah Crompton on the importance of plot and why she always prefers to be surprised
Holly Williams: Are Nineties throw-backs a theatrical comfort blanket?
As Aladdin arrives in the West End and Harry Potter and the Cursed Child opens, Holly Williams looks at our increasing desire for all things Nineties
Sonia Friedman in the Queen's birthday honours list
The producer was recognised for her services to theatre