English National Opera

Review: The Barber of Seville (London Coliseum)
Jonathan Miller's venerable production of Rossini's comedy, blissfully revived.
Why are big theatres getting harder to fill?
Matt Trueman confronts the realities of some of the West End's biggest venues as well as their biggest challenges
Review: Aida (London Coliseum)
Scrims, somersaults and a singing serviette in Phelim McDermott's new Aida for ENO
10 opera tunes you won't know that you know
By Sita McIntosh • WhatsOnStage
Think you don't know your Verdi from your Puccini? Think again
Soraya Mafi and David Webb: fair days will shine
Meet the young stars of ENO's The Pirates of Penzance
Review: Rigoletto (London Coliseum)
Jonathan Miller's indestructible production of Verdi's revenge opera returns to ENO
Winners of 2017 Opera Poll announced
English Touring Opera wins the big vote; Mark Wigglesworth wins the big love
The Best (and Worst) of Opera in 2016
Our critic doles out bouquets and brickbats as he reviews the year in opera
Review: Lulu (London Coliseum)
ENO scores a company triumph with Berg's picaresque opera
Review: Don Giovanni (London Coliseum)
English National Opera's shortened season opens with a new Don Giovanni from Richard Jones