Reviews

Review: The Convert (Gate Theatre)
Christopher Haydon directs Danai Gurira's latest play about Christianity and colonialism in Rhodesia
Review: In the Depths of Dead Love (Print Room)
Howard Barker's latest play opens at the west London theatre following controversy over casting
Review: Winter Solstice (Orange Tree Theatre)
Ramin Gray directs Roland Schimmelpfennig's scalding comedy
Review: Promises, Promises (Southwark Playhouse)
Burt Bacharach and Hal David's musical based on The Apartment is revived by Bronagh Lagan
Review: Marée Basse (Barbican, London International Mime Festival)
Two faded acrobats in a mid-life slump drunkenly carry out their evening routine
Review: Raising Martha (Park Theatre)
Michael Fentiman directs the world premiere of David Spicer's dark comedy
Review: La traviata (Royal Opera House)
The return of Richard Eyre's beloved production of Verdi's most popular opera
Review: The Lower Depths (Arcola Theatre)
The slogging misery of Maxim Gorky's play may turn you to booze
Review: Imbalance (Sadler's Wells, London International Mime Festival)
Performance duo Joli Vyann present a mix of circus and dance about being absorbed in technology
Review: Picnic at Hanging Rock (Royal Lyceum Theatre, Edinburgh)
Tom Wright adapts Joan Lindsay's classic novel about five performers solving the mystery of a group of missing girls