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Reviews

Die Frau ohne Schatten (Royal Opera)
By Mark Valencia · 15 Mar 2014 · West End

Strauss's psychological fairy tale brilliantly staged by Claus Guth on his Covent Garden debut

The Husbands (Soho Theatre)
By Sarah Marsh · 14 Mar 2014 · London

Sharmila Chauhan's entertaining and thought provoking play at the Soho Theatre swaps conventional gender roles

The Threepenny Opera (tour)
By Anne Morley-Priestman · 14 Mar 2014 · Central

A committed new touring production from Peter Rowe and Jenny Sealey

Away From Home (Jermyn Street Theatre)
By Laurna Robertson · 14 Mar 2014 · London

Rob Ward and Martin Jameson's one-man show is topical, brave, and skilfully handled

Spring Awakening (West Yorkshire Playhouse)
By Ron Simpson · 14 Mar 2014 · Cambridge

This co-production between the Playhouse and Nuffield Theatre marks the beginning of a new partnership championing the work of emerging directors

Riverrun (NT Shed)
By Maisie Collins · 13 Mar 2014 · London

Olwen Fouéré's one-woman show based on Finnegan's Wake features a strong performance but doesn't penetrate the incomprehensible text

Shadowland (Peacock Theatre)
By Kieran Corcoran · 13 Mar 2014 · London

This innovative mix of shadow theatre, dance and circus proves irresistible

Twelfth Night (Liverpool Everyman)
By Janie Phillips · 13 Mar 2014 · Northwest

The Liverpool Everyman is back in business and this opening production delivers as much bang for your buck as the new stunning refurbishment

Urinetown (St James Theatre)
By Michael Coveney · 12 Mar 2014 · London

Jamie Lloyd's UK premiere production proves a formulaic but 'stunningly well performed' spectacle

King Lear (Cockpit Theatre)
By Michael Coveney · 12 Mar 2014 · London

Stage veteran David Ryall impresses as the eponymous monarch in Darker Purpose Theatre's production

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