Review: Don Pasquale (Glyndebourne)
Mariame Clément's breezy version of Donizetti's opera returns
Review: A Tale of Two Cities (Regent's Park Open Air Theatre)
Timothy Sheader directs Matthew Dunster's new version of Dickens' classic
Review: Touch (Soho Theatre)
Vicky Jones, one half of the team behind Fleabag, has created a slatternly character for the Tinder generation
Review: Man-Cub (Etcetera Theatre)
A sexy submersion into a young man's first big club night in a production which is both naive and engaging in its rawness
Review: Cotton Panic! (Upper Campfield Market Hall, Manchester International Festival)
Jane Horrocks stars in this clumsily put together but engrossing story of Manchester's industrial past
Review: Turandot (Royal Opera House)
Andrei Serban's take on Puccini's Chinese opera returns to Covent Garden in its 16th revival
Review: Bodies (Royal Court)
By Emily Jupp
Bruntwood prize-winner Vivienne Franzmann updates the 'barren woman' trope for the 21st century with this new work exploring the hidden costs of surrogacy
Review: He Shoots! He Scores! (Above The Stag)
By Dan Hunt
An enjoyable romp through the world of gay football, with a love story thrown in
Review: Yank (Charing Cross Theatre)
After its UK premiere at Hope Mill Theatre, this musical about gay soldiers in World War II transfers to the Charing Cross Theatre
Review: Queen Anne (Theatre Royal Haymarket)
Romola Garai and Emma Cunniffe star in the RSC's West End transfer of Helen Edmundson's play