Matthew Tennyson: 'I hope gender fluid casting is the future of theatre'
The actor playing Salomé in the new RSC production of Oscar Wilde's play explains the intentions behind swapping the gender of the central role
Juliet Stevenson: 'Women in theatre are not allowed to fail'
Ahead of the West End transfer of the Almeida's Hamlet we talk to the Olivier Award-winning actress about playing Gertrude and female roles in Shakespeare
Michael Boyd: 'Limitations are liberating'
The former RSC boss returns to Garsington Opera with a new production of Pelléas et Mélisande, Debussy's only full-length opera.
Richard Bean: 'I'm not superstitious, but I don't like the colour green'
We talk to the playwright about his play Kiss Me which opened at Trafalgar Studios this week, why he doesn't say 'break a leg' and his upcoming play at the new Bridge Theatre, Young Marx
Kerry Michael: 'I can't think about life after Stratford East just yet'
The artistic director of Theatre Royal Stratford East talks about Tommy and his plans for leaving the theatre in December
Hattie Morahan: 'I used to giggle hysterically whenever I was onstage'
Ahead of her opening of Alice Birch's new play at the Royal Court, Hattie Morahan talks bad auditions, working with Katie Mitchell and what she'd change about the theatre industry
Roy Alexander Weise: I was 16 when I realised the power theatre has
As he gears up to direct The Ugly One at the Park Theatre and Jekyll and Hyde in the West End, director Roy Alexander Weise explains how he came to theatre
Tim Supple: 'I'm envious of people who can root themselves'
The itinerant director is back home in Britain to stage the new Grange Festival's first opera
Marcia Gay Harden: 'I wouldn't do a stage version of Fifty Shades'
The American stage and screen actress on making her UK debut in Sweet Bird of Youth, working with James Gandolfini and starring in the film Fifty Shades of Grey
Tom Morton-Smith: 'I don't know if I handled the success of Oppenheimer very well'
The playwright on his new play, the success of Oppenheimer and why he's writing another play about physics