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LATEST NEWS

Thriller Live (Tour - Manchester)
By Glenn Meads · 28 Jan 2014 · Northwest

This current tour of Thriller Live, now playing at Manchester Opera House, is proof why this celebration of Michael Jackson's music is still going strong in the West End

Win! Le Corsaire (English National Ballet) tickets in Manchester
By Glenn Meads · 27 Jan 2014 · Northwest

Win tickets to see this swashbuckling classic in Manchester, presented by English National Ballet.

Catherine Love: Rewarding variety
By Catherine Love · 27 Jan 2014 · Southwest

As awards season enters its busiest phase, Catherine Love suggests that theatre awards are at their best when reflecting the variety of theatre on our stages

Monkeywood's Flesh returns to Northwest
By Glenn Meads · 27 Jan 2014 · Northeast

Produced with the Royal Exchange Theatre, Monkeywood's play Flesh returns on tour, including two dates in the North West.

Brendan Cole Extends his Licence to Thrill UK Tour
By Glenn Meads · 23 Jan 2014 · Southwest

The Strictly Come Dancing pro tours the UK, fresh from his success on the hit BBC show with celebrity partner Sophie Ellis Bextor

Warwick Davis launches Reduced Height Theatre Company with See How They Run tour
By Editorial Staff · 22 Jan 2014 · Southwest

Phillip King's classic farce will be given a unique spin by Warwick Davis and his newly launched Reduced Height Theatre Company

Tonight's The Night (Tour - Manchester)
By WhatsOnStage Reviewer · 22 Jan 2014 · Northwest

Tonight's The Night may contain a slim narrative but the cast work hard it make it sail on tour.

Priscilla Back on the Tour Bus
By Glenn Meads · 22 Jan 2014 · Southwest

Priscilla - Queen of the Desert undertakes another UK tour, with Jason Donovan and Richard Grieve back on board

The Pride (Tour - Manchester)
By Glenn Meads · 21 Jan 2014 · Northwest

Manchester audiences get to see Jamie Lloyd's production of Alexi Kaye Campbell fresh from huge acclaim in London

Catherine Love: Great expectations
By Catherine Love · 20 Jan 2014 ·

Are expectations a useful barometer against which to measure our theatrical experiences, or a barrier to enjoyment and surprise?

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