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Into the Woods (Royal Opera House, West End)

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starstarstarstarI loved this production very much indeed. There were a few downsides. i.e. everytime one of the characters is killed off, they simply lept off the side of the stage but this was due, no doubt the the constraints of the Lindbury [having no traps etc. i.e. no other means of exiting] and I did feel that both Gary Waldhorn and Clive Rowe could have given more attack in their performances as other members of the cast were able to do. Having said that, I liked the carboard trees! It gave the feeling of real story book magic. I thought the singing was superb and it was a joy to be able to hear all the words so clearly. All in all, a thoroughly enjoyable and thought provoking visit to the theatre. - David21 Jun 07
starOK I will elaborate. The cast just weren't up to it vocally and while Sondheim's great lyrics have the power to work as purely text the music soars when sung beautifully. Hardly anyone in the cast had the requisite vocal ability. The staging was very rudimentary also, all the dragging along of cardboard cutout trees just doesn't cut it. The Donmar production of a few years ago was all heart and brought out all the humour and staged to perfection. Having seen at least half a dozen productions of the piece this unfortunately is the least satisfactory. Considering what the ROH did with Sweeney Todd previously I think Mr Sondheim should think twice before allowing them to put on another production of his work. - Mr)19 Jun 07
starstarstarstarI loved it - id LLKK see the same show as I did? Great production, wonderful band and superb character acting from a very talented cast. What more could he/she want? You're right, Gareth - should be seen by a lot more people. - su19 Jun 07
starstarstarPerhaps LLKK could elaborate on that flouncy 'dire' or we may think he/she/it is one of those Yes/No automatons with no critical faculties whatsoever. - Mikey19 Jun 07
starDire. - LLKK19 Jun 07
starstarstarstarThis is the 4th production of this wonderful show I've seen since the British premiere zonks ago and this one certainly doesn't disappoint. Les Brotherson's designs are terrific and the casting is spot on; including an excellent Little Red Riding Hood from a virtual newcomer to London musical theatre. It's hard to believe that this is Willaim Tucket's first stab at a musical. It sits perfectly in the Linbury Studio, but what a tragedy that so few people will get to see it in a dreadfully short run of just over two weeks. It must transfer before this great cast disbands! - Gareth James17 Jun 07
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