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The Daughter-In-Law (The Young Vic, Inner London)

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starstarstarstarIt is interesting to contrast this review with the current Crucible production of the play. I am of the impression that it is the play that is at fault in that, by modern standards, it is shallow and cliche-ridden and little more than a parody of Lawrence's works. The director and actors are on a hiding to nothing in trying to overcome these shortcomings,particularly the male principal, who have little to work with from the text. Lawrence gave actresses such as Lynda Barron and Claire Price more scope and they performed with distinction. Well done to all involved because, in spite of the shortcomings, it was a thoroughly enjoyable night out. - Ray Huggett04 Mar 13
starstarstarstarstarThe performances are the best I've seen in ages and the set is awe-inspiring,a mix of the real and unreal which I think works brilliantly on a literal and metaphorical level (you'll see what I mean). I think David Lan's direction is incredibly deft he shapes the story very well creating climaxes and tension relieving laughter when you least expect it- he's a master. And I'd disagree with Maxwell's comment that its not a great play I think it deals with all the big subjects- life death, love and mothers in a seemingly simple way, and though set in a very different time to our own it's very easy to relate to these characters. As you can tell I adored it, it's the best thing I've seen in ages, do go if you can. - USER: Whatsonstage.com16 Sep 02
starstarstarstarstarThis is a fantastic, detailed play. Lawrence's language- although in the Nottinghamshire dialect is akin to Shakespeare in its poetry. David Lan's production is excellent it deftly manipulates the audience and we are transfixed but the cruel and touching relationships. Fantastic performances and a wonderful play. - USER: Whatsonstage.com13 Sep 02
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