Pushing Up Poppies
The realisation that they will likely die in the muddy Flanders field they inhabit dominates the lives of the four-strong cast in Kieran Lynn‘s Pushing Up Poppies. Evidently mentally unstable – their is no consistency to the names they use to address each other, Billy may be Watts, he may not be there at all – the four engage in irrational, irritating circular conversations.
Stephen Darcy as Webb at times gives the piece a voice of reason, at others he appears the least rational of the lot. It is a strong performance amongst a tight ensemble, but the frequent blackouts both demonstrate the endless passing of time in the trench and rob the piece of any chance to get going.
Finding the occasionally terrifying naivety in Billy, Jamie Samuel also manages to let the character’s brighter vulnerability shine through his Dundonian whine. The absurdist, bureaucratic finale finally sees the piece pick up momentum, becoming a delusional pantomime and shows how well the cast can work together, but is too little too late.