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Veteran salesman Willy Loman is used to spending his life 'riding on a smile and a shoeshine', but recently things haven't been so good. He seems to have lost his golden touch; his grown-up sons, Biff and Happy, no longer idolise him as they used to and he is haunted by missed opportunities and a trouble past. His wife Linda is struggling to aid her increasingly disturbed husband, as she tries to hold the family together and keep Willy from descending further into desperation. But as the truth of Willy and his sons' imperfect past begins to unravel, Willy starts to lose faith in the two things he believes in: his family, and, in Miller's words, his need 'to leave a thumbprint somewhere on the world'. Death of a Salesman burst upon the international scene in 1949 and won the Drama Critics' Circle Award, the Tony Award and the Pulitzer Prize, becoming a benchmark for modern theatre.
Originally starring Tim Pigott-Smith who sadly died April 2017 and Pamela Mile who had withdrawn due to breakin ga bone in rehearsal.
You're six years old. Mum's in hospital. Dad says she's 'done something stupid'. She finds it hard to be happy. You start to make a list of everything that's brilliant about the world. Everything that's worth living for. 1. Ice cream, 2. Water fights, 3. Things with stripes, 4. Laughing so hard you shoot milk out your nose, 5. Rollercoasters, 6. Me. A new play about depression and the lengths we will go to for those we love. The show involves members of the audience, making each performance unique.
A landmark in the history of English literature. Jane simple governess, wins the heart of Edward Fairfax Rochester, the brooding and mysterious master of Thornfield Hall. Questioning the boundaries of class and gender, it is one of the most heartrending and powerful tales of romance and suspense ever told.
The inept and accident prone Cornley Polytechnic Drama Society embark on bringing an ambitious 1920's murder mystery (Murder at Haversham Manor) to The Edinburgh Festival. Chris the arrogant head of the drama society has directed the piece and cast himself as the dynamic Inspector. Desperate wannabe actress Sandra and the genuinely doting Max struggle opposite each other as the romantic interest while hapless Dennis still can't pronounce 'facade'. An hour of hilarious disaster ensues; actors get knocked out, the play gets stuck on a loop and the set falls down before the final denouement. The production ends with an uproarious, totally improvised Q&A session with the cast, where the audience can put their own questions to the unfortunate troupe.
'Mum and Dad would have loved this. Except... I'm here with you, Oona. Because... you're who I need now. As long as I'm with you, I'm OK. Maybe one day you'll carry me out of this jungle like you carried me in.' Following the tragic death of his father, everyone is keen to help young Will. When his grandmother suggests an Indonesian holiday it's a dream opportunity to encounter the elephants he adores and learn about his own heritage. No-one could foresee the world-changing events of Boxing Day 2004. Or the remarkable elephant who would carry Will deep into the jungle after the Tsunami. But before he can allow the orangutans, monkeys, snakes and other animals to heal his wounds, he has to escape the hunters and their terrifying boss, the evil palm oil king, Mr Anthony. This thrilling and touching tale of healing and the power of nature is set in the magnificent landscape of Cass Sculpture Foundation, against the backdrop of monumental sculptures and dramatic settings.
I want you to do yourself proud, Joey. You go and drive those Germans back where they've come from, and then come home to me. At the outbreak of World War one, Joey, young Albert's beloved horse, is sold to the cavalry and shipped to France. he's soon caught up in enemy fire, and fate takes him on an extraordinary odyssey, serving on both sides before finding himself alone in no man's land. but Albert cannot forget Joey and, still not old enough to enlist, he embarks on a treacherous mission to find him and bring him home. Do I look like I know the latest on every effing ?orse in the war? Do I look like an effing equine expert or even an effing equestrian enthusiast? Your squadron no longer exists. That's all I know, Private. Suitable for 12yrs+
18 OCTOBER - 11 NOVEMBER
15 SEPTEMBER - 14 OCTOBER
MARLOWE THEATRE, CANTERBURY
15 NOVEMBER - 2 DECEMBER
LIVERPOOL EMPIRE THEATRE, LIVERPOOL
14 FEBRUARY - 10 MARCH
ALHAMBRA THEATRE, BRADFORD
14 MARCH - 7 APRIL
THEATRE ROYAL CONCERT HALL, NOTTINGHAM
25 JANUARY - 10 FEBRUARY
BRIGHTON CENTRE, BRIGHTON
13 DECEMBER - 6 JANUARY
NEW THEATRE, OXFORD