Christopher Bond is one such writer. Now Emma MacLusky and Cordelia Spence offer their alternative explanation, in the shape of Love Left Hanging. Forget about the famous Victorian melodramas based on the story; Maria was apparently no virtuous village maiden seduced, then abandoned and finally murdered by a rich local landlord. As the legend has it, her burial under the floor of the barn was revealed to her father through his wife's dream. MacLusky and Spence see Corder as weak and certainly immoral in his business and sexual habits, but not a cold-blooded murderer.
Spence as director uses a cast of five to show us the jurors' deliberations which lead to an acting-out of the events on which they have to pronounce. Tina Baston is Maria, Tom Moran doubles the parts of Corder and an open-minded journalist James Curtis, Ant Cule plays Mr Marten and Corder's shady partner the poacher Beauty Smith (quite a misnomer, that). Alexandra Casey is Maria's stepmother, who herself has tangled with both Corder and Smith, and Lauren Abel plays a palm-reading gypsy girl, part of the tragedy as it unravels and yet outside it.
The premise and its
presentation are both interesting – but why, oh why! can't actors
articulate properly nowadays. The Fisher Theatre, where I saw Love
Left Hanging, is quite small but too many important lines
seemed to be swallowed rather than projected. Judging by overheard
comments during the interval, other members of the audience also had
difficulty in following the dialogue. Which was a pity, because this
treatment of what can be a two-dimensional 200-year old mystery