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Yes, in a long running show they are the original sets, which, in a big budget musical can cost millions. They are maintained throughout the run, and bits replaced or re-painted if necessary. This is how a long running show can go into profit once these one off costs, sets, costumes etc have been written off and only the running costs ( wages, theatre hire etc) remain. This is why Phantom and LesMis are so profitable, together with pantomime productions which are toured endlessly around the country each Christmas, all the sets and costumes are made to withstand alot of wear and tear.
In contrast, a flop, never recoups these costs and can lose millions.
What I always think is a great shame, is that at the end of a run the sets are usually broken up and destroyed. This is due to the high cost of storage and for copywright reasons. The exception to this is if the producer is intending to tour or remount the prodution in the near future when this one off set cost can be saved, thus reducing the cost of the revival.
It's a pity that these sets, once used, are not available for amateur companies to hire. I am surprised scenic hire comapnies do not buy them to hire out - but I think storage costs and copywright issues play a part here too. Some of the quality of sets available to amateurs is very poor considering the costs of hiring and transporting the scenery.
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