Whatever else you say about him, you surely have to concede that ALW has always been surprising with his choice of subject matters. If he'd listened to every person who told him "That's a terrible name/idea for a musical" over the years he'd probably never have made a penny."
I'm sure ALW has no expectations of this running for 20 years but clearly the subject matter interests him. Perhaps after the roasting he got over Love Never Dies he likes the idea of working on a show for which there is no huge expectation.
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In Topic: Andrew Lloyd Webbers New Musical Stephen Ward
17 March 2013 - 10:25 AM
In Topic: A Chorus Line
27 February 2013 - 03:31 PM
lesterf, on 27 February 2013 - 02:42 PM, said:
yes Seriously - have you never heard of show adaptations or rewrites ? It is not a huge change just an improvement in my opinion. It was originally written in 1975 so there is no reason 38 years later why you can not make some small changes .... audience expectations in 2013 are rather different to 1976 and productions have developed a hell of a lot since then.. a small change / changes I have mentioned will not take away anything from the feeling of the production and might just add in a little more interest..
What you say makes no sense. The whole point of the show is to get the audience to connect with these 'faceless' ensemble members but this would never happen if there were the proverbial falling chandeliers and helicopters taking off to disctract us. When I saw the show last week, the whole audience was drawn in to point that at times you could hear a pin drop in the auditorium. The moment at the end when the lights around the proscenium came on (the simplest stage effect imaginable) produced a gasp and a cheer because it was like a tension had been released. This is simply one of the most moving and at times devastating musicals in the West End at the moment...and you write it off because it doesn't have a flying car.
If 2013 audiences struggle with A Chorus Line then I think it says more about how lazy and fickle we have all become rather than how dated this show is.
In Topic: Favourite Lyrics In Les Mis
29 December 2012 - 12:02 PM
I'm always very moved by Fantine's admission that she has literally screwed all her dreams:
"I'd Reamed a Dream in time gone by..."
Oh...and the touching 'There's Something About Mary' moment between Eponine and Marius:
"Oh God, it's everywhere...!"
"I'd Reamed a Dream in time gone by..."
Oh...and the touching 'There's Something About Mary' moment between Eponine and Marius:
"Oh God, it's everywhere...!"
In Topic: ALW Confirms Plans For Australian LND To Tour The UK In Autumn 2013
07 October 2012 - 03:04 PM
Bricabrac, on 06 October 2012 - 06:32 PM, said:
Are you sure, and if so how?
The first article about the tour (I think it was the first) back in May said this:
"Sources say the new production of Love Never Dies (tipped here last September) is pencilled to make its debut in January 2013 at the Churchill Theatre Bromley - Kenwright's co-production partner. It will then embark on a UK tour."
http://www.whatsonst...tours Jan?.html
The first article about the tour (I think it was the first) back in May said this:
"Sources say the new production of Love Never Dies (tipped here last September) is pencilled to make its debut in January 2013 at the Churchill Theatre Bromley - Kenwright's co-production partner. It will then embark on a UK tour."
http://www.whatsonst...tours Jan?.html
In Topic: Jesus Christ Superstar
16 July 2012 - 11:48 PM
I feel so sad every time I imagine Tim Rice sat at home wondering how his musical could have come to this. JCS is respected and loved by just about everyone I have worked with and to see it reduced to a crass, money-making circus must be devastating for the poor man. Come on Tim...If you're reading this I dare you to boycott an episode and hit ALW on the forehead with a dessert spoon!
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