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Dawnstar

Member Since 08 Mar 2007
Offline Last Active Yesterday, 06:13 PM
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Posts I've Made

In Topic: Evita Uk Tour 2013

19 May 2013 - 01:32 PM

View Postdjp, on 19 May 2013 - 01:44 AM, said:

Thought the ensemble was very strong, if almost uniformly young looking. Great to see  a proper musical out there thats  using some of the young talent though.

I was sitting there yesterday thinking thank goodness the male ensemble didn't look as young as in the last cast!

View Postdjp, on 19 May 2013 - 01:44 AM, said:

The Mistress,  Sarah McNicholas, was really excellent and also got a very strong response  - someone to follow . Great look for Eponine,  or an interesting Cosette.......

I'm pleased she's got the lead this time, I saw her on as the understudy on the last tour & thought she was good then.

View Postdjp, on 19 May 2013 - 01:44 AM, said:

The music volume, particularly early on, was too loud,

Goodness, yes! The volume seems to have been notched up since last time. Parts of the opening few minutes were painful to the ear & I felt the floor vibrating a few times!

View Postdjp, on 19 May 2013 - 01:44 AM, said:

Agree Marti Pellow.  Slightly better - but Russell Crowe's vocal range, and Nick Jonas's acting came to mind. Got better for a couple  of songs in act two, which had some oomph. Lacked edge and never quite looked like public enemy number one, or a revolutionary leader.

I saw very few signs of any discernable acting, he just seemed to be looking saturnine throughout. I think he might have smiled once! His vocals were okay but sounded like he was at the limit a few times. I also found some of his vowel sounds to be very ugly e.g. "She's not coming back to yaow". I also think the stubble is a mistake as his beard looks to be greyer than his hair so it makes him look even more too old for the role than he is already.

View Postdjp, on 19 May 2013 - 01:44 AM, said:

Not sure either she comes over as a woman of the  people strongly or convincingly enough at the start - there's not much to use, but Madge managed that  better. That may all change though as the tour progresses, if they think of things to add, and take out some of the more OTT bits.

I felt Madalena was slightly over-acting at the start & trying to act a bit too girlishly. I imagine that's the sort of thing that will probably settle down with performance time.

In Topic: Charlie And The Chocolate Factory: The Musical

19 May 2013 - 01:18 PM

When I walked past the Theatre Royal Drury Lane yesterday evening there were a dozen or more FOH staff stading on the steps at the theatre entrance. They seemed to be being addressed by a man. Some sort of last-minute usher traing before the postponed opening perhaps? I've certainly never seen anything like it before.

In Topic: Top Hat.

17 May 2013 - 07:09 PM

Yes, I know it's closing night, that's my point. I am wondering why there are only premium seats available for both shows on the last day. It seems very unlikely that all other seats would have sold out before closing date has been officially announced & publicised. Therefore I am wondering what the producers and/or Ticketmaster are up to. Top Hat is my current favourite WE show & I won't be too happy if I can't go to the last show because no reasonably priced tickets are made available.

In Topic: Top Hat.

17 May 2013 - 05:47 PM

^ Thats true for for some shows but for Top Hat they're the main ticket source & usually have loads of tickets available. For the previous day, 25th October, for example, the majority of the seats in the theatre are still available to buy on Ticketmaster. It's only 26th October where nothing but premium seats are available.

In Topic: Top Hat.

17 May 2013 - 05:04 PM

I just had a look on Ticketmaster for seat availability for 26th October (just out of interest, not booking that far in advance) and the only seats showing as available are the premium ones, which seems absolutely ridiculous. Do they not want an audience for the closing performance?