11 replies to this topic
#1
Posted 30 December 2012 - 09:38 AM
Very good. Mostly the same cast as for Love's Comedy.
#2
Posted 30 December 2012 - 11:17 PM
Oh good, I'm off in a week or so.
If, for some strange reason you care what I've seen, it's all here:
http://pcchan1981.livejournal.com/
http://pcchan1981.livejournal.com/
#3
Posted 31 December 2012 - 09:41 AM
dude-1981, on 30 December 2012 - 11:17 PM, said:
Oh good, I'm off in a week or so.
It is a treat. The Dance of Death crowd here are probably avoiding it but the Yes Prime Minister bunch would enjoy it. I justified my attendance on the basis that Feydeau is important in historical terms so I had an academic interest in it.
#4
Posted 31 December 2012 - 06:15 PM
I've already said that I have seen both DofD and Yes Minister. Would love to see this but can't.
#6
Posted 01 January 2013 - 06:35 PM
O ok will have another look. It always happens. I book loads of juicy stuff for the beginning of the year in advance and then don't have room for stuff that comes up on the hoof as it were.
#8
Posted 02 January 2013 - 01:40 PM
Quite a few dates are sold out
Just realised this was in the WE about 15 years ago as, I think, An Absolute Turkey with Peter Davison and, I think, Clive Francis. I remember rather enjoying it, and a production of Occupe T'Oi D'Amelie at around the same time.
Just realised this was in the WE about 15 years ago as, I think, An Absolute Turkey with Peter Davison and, I think, Clive Francis. I remember rather enjoying it, and a production of Occupe T'Oi D'Amelie at around the same time.
#9
Posted 12 January 2013 - 12:03 AM
After enduring a couple of recent duds it was good to see a play and a production that worked so well on so many levels. Far more enjoyable, for me, than the Old Vic's A Flea in Her Ear of not so long ago even though the latter is probably the better play.
A theatre in the round, like the Orange Tree, is not exactly ideal for playing a farce and, truth to tell, I did miss the multiple doors that so characterize Feydeau's work. Miming the opening and closing of doors - with sound effects - didn't really cut it and made the entrances and exits less precise and less surprising than they needed to be. Apart from that though the cast was excellent and it was a fine funny evening at the theatre. They do good work in Richmond.
A theatre in the round, like the Orange Tree, is not exactly ideal for playing a farce and, truth to tell, I did miss the multiple doors that so characterize Feydeau's work. Miming the opening and closing of doors - with sound effects - didn't really cut it and made the entrances and exits less precise and less surprising than they needed to be. Apart from that though the cast was excellent and it was a fine funny evening at the theatre. They do good work in Richmond.
#10
Posted 12 January 2013 - 04:48 AM
I'm looking forward to seeing it soon. I've definitely never seen a West End version but was alarmed, after booking, to read that the Orange Tree had done this before, as I don't like to revisit a play unwittingly. Plus farce really isn't my thing and I don't go to all the Orange Tree's Xmas productions, but I have so far found that only they can override my aversion.
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